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Ive gotten to know a number of readers from being online, and really treasure the time Ive spent with them.
And in a way, that's been a help to me, because I take great passions for a particular poet - sometimes it lasts for many years, sometimes only for a while. This happens to everybody.
A writers desire to write can only have come from previous experience of literature, and he'll start by imitating whatever he's read, which usually means what the people around him are writing.
I don't see how the study of language and literature can be separated from the question of free speech, which we all know is fundamental to our society.
A movie is painting, it's photography, it's literature - because you have to have the screenplay - it's music. Put a different soundtrack to a comedy and it's a tragedy.
Most influential of all is the philosopher Stanley Cavell, and a younger generation of philosophers who have attempted to follow his pioneering work in thinking about literature philosophically.
I didn't know that Mahler would come to play so large a role, nor that music and literature and philosophy can interinanimate one another in the way I've come to think they do in this case.
Literature isn't a moral beauty contest. Its power arises from the authority and audacity with which the impersonation is pulled off; the belief it inspires is what counts.
The best work in literature is always done by those who do not depend on it for their daily bread and the highest form of literature, Poetry, brings no wealth to the singer.
Is all literature eavesdropping, and all art Chinese imitation? our life a custom, and our body borrowed, like a beggar’s dinner, from a hundred charities?
We must not inquire too curiously into the absolute value of literature. Enough that it amuses and exercises us. At least it leaves us where we were. It names things, but does not add things.