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Death stands above me, whispering low I know not what into my ear; Of his strange language all I know Is, there is not a word of fear.
Eugene Peterson's language makes the Bible exciting and strong, sweet, sharp, persuasive, painful, personal, contemporary, kind, and dramatic—and available to every reader of this age.
He who thinks much says but little in proportion to his thoughts. He selects that language which will convey his ideas in the most explicit and direct manner.
In India the odd thing is that English is this almost artificial language floating on the surface of a place with about fifty other languages. The same is true of Nigeria but even more so.
I was a comedian in Russia, and I worked on the cruise ships there. I met a lot of Americans, and they were laughing even though I didn't speak their language.
In the English language, I can love my car, or my house, or my daughter, or traveling, but in Greek and how I grew up, love is described with different words.
That is one more reason why I write in English only right now. I prefer writing in the language I hear around me for the people by whom I am surrounded.
What is above all needed is to let the meaning choose the word, and not the other way around. In prose, the worst thing you can do with words is to surrender to them.
Hugh Laurie (playing Mr. Palmer) felt the line 'Don't palm all your abuses [of language upon me]' was possibly too rude. 'It's in the book, ' I said. He didn't hit me.
Prose consists less and less of words chosen for the sake of their meaning, and more and more of phrases tacked together like the sections of a prefabricated hen-house.
We're living in a teetering tower of babble. A shaky reality of words. A DNA soup for disaster. The natural world destroyed, we're left with this cluttered world of language.