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I define a diva as a woman who possesses courage, beauty, style, and confidence. Based on that definitions, I've probably got a bit more work to do.
For my money, there are no more fascinating, hard-working, vulnerable creatures on earth than writers. Every day, they lay their souls out there for public approval or rejection.
... a great many times in this world, the hardest work we are given is just to sit to one side and neither speak, nor act. It is then prayer becomes an unspeakable blessing.
The press was all over to get a picture of me. It got to the point where they were all over my house, following me to work... Then Tom Brokaw and everybody else was doing stories, 'A star is born.'
I think the studio gave me that series on purpose, because they knew perfectly well that Robert Riskin was ill and that I needed to go to work. They gave me that series to do.
I think violence in movies, for it to work, you have to use it smartly. People get numb very fast. If you have too much violence in the beginning, it gets to a point where you don't feel it.
Now younger actresses will have a confidence in those discussions with their agents and be able to say, "Can we make sure that I'm being paid the right amount for the work that I'm doing?"
I work out all the time. Cardio, resistance and a lot of jogging. I love to go hiking. I'm going to invest this in myself, into my self-worth, into my self-esteem.
We'll work with any designer producing something linked to gastronomy. So a chair for the dining area, a van to move food around. Anything that's connected to the gastronomic process.
I have a dark sense of humor, so I definitely like to work on stuff like that. I do enjoy working in comedies where I can create a fun and broad character.
The Italians have their priorities right: They're driven, they do their work, but they really enjoy the day-to-day and they don't put off the enjoyment of the everyday for some future goal.
I think this is pretty clear, but maybe not to everybody: Despite the fact that the work is personal or taken from life, it's not about me telling my personal story.
In every great time there is some one idea at work which is more powerful than any other, and which shapes the events of the time and determines their ultimate issues.
One always starts work with the subject, no matter how tenuous it is, and one constructs an artificial structure by which one can trap the reality of the subject-matter that one has started from.
I use all sorts of things to work with: old brooms, old sweaters, and all kinds of peculiar tools and materials... I paint to excite myself, and make something for myself.