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Through [my children] patience, they're showing me how much they support what's going on, because I'm having to do a lot of work right now.
Of all the excellent copyedits I've received over the years, Marie-Lynn Hammond's was by far the best. Her work on Half Blood Blues was incredibly sensitive and astute.
I love the work, I love being in front of the camera and working with actors and directors and creating something. For me, it's like learning everyday.
When you work on a graphic novel or a film with people you've been together through a lot and you've exposed your secrets and weaker sides to each other.
When the movie's done, you talk about either the score or source music over a particular scene, what might work. You just throw a piece of music over the scene, and we both listen to it.
I'm not a comedian. I don't do stand-up. I don't tell jokes. I'm a comedic actor, and approach my work that way. The comedy comes through the character.
I let the comedy come through the character and just try to make sure that everything is kind of rounded in a truth, in a reality, because that's what I need to make a character work.
Hollywood wouldn't suit me. In L.A. it's all about work - studio people have their five minutes with you and they go, 'Oh mah Gahd, I love your movie.' You just feel very self-conscious there.
When you begin your work, nothing exists. When it is finished it looks as if it just happened, spontaneously, effortlessly, convincingly. It looks as though it had been there all along.
Of course I knew the work of Roland Kirk and Harry Carney and the specific uses they would make of circular breathing, so I knew it was physically possible.
I've been to the studio several times, and it's not that I'm not happy with what I've got, but each time I come away, I feel that I've learned something that I want to work on.
I get that some people just want to do work and keep their lives private. I think for me, it just felt like I needed to be open about who I am. It just felt like the right thing for me to do.
Universities ought to be aware of the degree they would want to accept funding from governments like China to work on, say, face recognition technology.
I grew up believing that the willingness and ability to work is the basic ingredient of successful farming. Hard, intelligent work is the key. Use it, and your chances for success are good.