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It's always really special to be at the New York Film Festival, and always a real privilege.
American decline is real, though the apocalyptic vision reflects the familiar ruling class perception that anything short of total control amounts to total disaster.
Those who had demanded no more than an end to the bombing of North Vietnam and a commitment to negotiations saw their demands being realized, and lapsed into silence.
I had a show that people thought used a laugh track. It wasn't; it was the real audience going crazy after everything that resembled a joke, that they could technically call a joke.
The persona in my stories may be truer to my "real" self than any alleged objective, factual "I" that I could replicate for the purposes of storytelling.
They say in the military that a good battle plan can last as long as five minutes in real fighting. After that, it comes down to if the general is favored by fate and the spirits.
What I hear all the time is to stop and listen. When you do a scene 30 times, and know the lines, you stop listening. The point is to listen, that's the only thing that can make it real.
For the traditional fantasies, a lot more of my research comes from reading rather than doing. I like my worlds to feel real, so I do a lot of world building research.
The future is here, now, and the past is full of actual deeds, real history. Utopias hardly have the meat on their bones to sustain a people in grave times.
My father hated rock and roll - hated it. My first real argument with my father was over the Rolling Stones. And he never, ever liked rock and roll. He just liked me.
I'm everybody's friend, unless they don't like me. And then, I just totally can't understand that. I actually can't. I get really hurt if someone doesn't like me. It's weird.
What's so great about working with really funny women is that vanity comes second. Whatever makes it real and funny, they're going to go for, and it's just great.
I try to pester Christian Dunn from time to time. As soon as my schedule allows, I plan to make a real pest of myself and get some hot, slippery Chaos action.
In a way, everybody is wounded from the wound of the real. This phenomenon is similar to madness. The mad person is wounded by his or her distorted relationship to the real.
In this way, history now inscribes itself in real time, in the 'live', in the realm of interactivity. Consequently, history no longer resides in the extension of territory.