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Some of the best dramatic actors have started in comedy.
They didn't act like people and they didn't act like actors. It's hard to explain. They acted more like they knew they were celebrities and all. I mean they were good, but they were too good.
As a director/writer/producer, all you ever want is to work with actors who make you look better, who make the work you do seem as good as it can be and even better than it is.
I never thought in terms of typing myself, because I wasn't that successful. After an actor has done a few pieces of work, his naïveté is the part of the craft he has to nurture most.
I have never felt brutalized as an actor. Many actors do, some times, but I've never had that experience. If I'm not happy with the balance, I just won't work with that person again.
For an actor, style comes last. You first have to implement the whole thing, but your style comes from the subconscious, which is the best part an actor brings to his work.
I don't remember if I've been asked seriously to direct a picture. I understand that. I'm very good business for people as an actor and perhaps they'd rather I didn't.
I'm an actor who they said was wrinkled and balding and everything else when I was in my early 30's. Most of the people who wrote that who thought they were younger than me are now bald and wrinkled.
The truth is, I just love to work. I love being on set. I love being around crews. I love being around my fellow actors. Anything that can keep that going is a joy for me.
Im always envious of the actors who get to come to work every day and really grow deep roots there, but it is really fun playing lots of different characters.
Violence is used to portray what happens in a film. It only helps portray the actors and what they do. I think it is more about the story, when you have something to play off of.
Some actors pride themselves on disappearing into a role. I'm into the game because I like experiencing and exploring themes, so I put a lot of myself into the person.
In comedy, beware the split focus. The audience should focus on the face of the actor. The audience must see the setup. If there is action elsewhere on the stage, the comic line can be lost.
All of them - my father, mother, step-mother, and grandmother - were all wonderful actors and performers and they are an inspiration to me, both in their craft and in their humanity.
I love to see actors' work. I love to surf channels late at night and accidentally run into movies I hadn't seen before. It makes me very proud of the profession.
I do not know if it is true that all actors want to direct and all directors want to act, but in 1972 I tried directing and decided I had better stick to acting.
Actors want to work with you but they want you to do their thing. Actors, whom I love with a blind partiality, sometimes they want to be soloists in the symphony, not a part of the orchestra.
I became a professional actor in Detroit and I was able to earn some money. It was a good job because it permitted me to study. It fit perfectly with school.