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I never made the choice to be an actor. It just sort of happened to me when I was a kid, for whatever reasons that are irrelevant in this moment.
The other day, someone called me this generation's Bruce Dern - I'd never thought of that, and frankly, I don't know enough of Bruce Dern's work to comment on it, though he is an incredible actor.
I don’t discount a magical hand of fate. I am an actor, after all, and a Shakespearian, no less. But it can’t be the ruling force of your life. You have to be the driver.
We all know the huge problem there is with entertainment in general leaving out women. Especially as actors, we know there are fewer great parts for women.
The public want actresses, because they think all actresses bad. They don't want music or poetry because they know that both are good. So actors and actresses thrive and poets and composers starve.
I do not want actors and actresses to understand my plays. That is not necessary. If they will only pronounce the correct sounds I can guarantee the results.
When you first start out as an actor, you're just looking for a good part. As time goes on, if you're being held responsible for the movies themselves, you're looking for a good script all around.
I don't know of an actor that the Coen brothers would come to and say, "Hey, I've got a movie for you to be in, if you want to do it," that would say, "No." That's the truth.
An actor's job is to do their job. It's great if it's successful and it's fantastic when it's a huge hit, but at the same time, you're there to do a job and make sure you do it well.
I'd never really done comedy before Community, so getting to work day in and day out with all these great people, directors, writers, and actors, I feel like I've learned a lot.
A lot of writers, because they don't understand actors, feel like, in order to be better at their performance, they have to change the words around a lot.
I just consider myself a committed actor. If a movie is a success, that's great; I'm happy for that. But I've learned just to concentrate on my job and do the best that I can.
Some actors count their lines as soon as they receive a script. I'm the opposite. I try to see how many lines I can whittle down. You can say just as much in 4 as you can in 14.
I think a lot of good actors - for instance, Gary Sinise - have no training. His training was really entirely on his feet. I suppose you have to have an instinct for it.
Oftentimes, actors are looked at as court jesters. They are not looked at as deep-thinking, smart people who do many other things or have gifts in other areas.
I don't like making a film and having the actors in character too much in magazines and on the net and everything else. Because you want to keep something back.