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You really have to get out of an actor's head to write because actors only care about their part and it revolves around their part so "This is the important part because this is the part where..." .
I never know what to call the subjects in my pictures because I'm uncomfortable with the word actor. I think maybe subjects might be more accurate - or maybe even more accurate is objects.
Getting bad reviews or doing something thats not great is also really good for you as an actor. It also makes me feel as an actor that Ive earned my stripes a bit.
Directing remains very psychological, and it takes a lot of time and reflection. When you're an actor, it takes less time, and you can express yourself physically.
I try to get to know the actors as much as I can. I feel like I'm friends with them for starters and for a week or two, we rehearse when they're getting the costumes together.
When I go to a movie, I'm always thrilled if I've seen an actor do something and I didn't realize until the end of the movie that that was that person. I love that.
I didn't know what the path was that I wanted to be as an actor, to be honest. I've been doing a lot of theater since I was a kid, so I was just sort of taking opportunities.
Child actors come off as work being their life and doing it 24/7, but I still have those days where it's totally, like, whatever: shopping, movies, adventures.
Please don't refer to me as "channeling Mark Twain." I'm an actor. Not a channeler. That word is an iPhone shortcut. Acting is more eloquent than that.
In my ideal world there would be 99% unemployment for actors, and I would be the 1% that's employed. I hear about somebody getting a job at Starbucks and I get jealous.
Canada has been a breeding ground for great comedic actors, sketch artists and stand-up comedians. We grew up with a different perspective on the world.
When someone's an actor and you're an actor, you meet them and you feel like you know them. We're in the same business, and we all speak the same comedy language.
At a certain point, you have to convince the actors that you've done the right thing. The way I work, if I can't convince them, I've got to move on. I can't coerce them or browbeat them.
I look for something that grabs me and that's heartfelt, and that's coming from a good place. I want to work with good actors and with directors that I can learn from.
It's always a pleasure to see John. I'm fond of telling people that when I was a young actor in NY and had no work ,no money, you know the story because you're heard it before.
I certainly think that he [Alan Rickman] was a kind of actor who needed to grow into his maturity to realize the potential, the huge potential that he had.
When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.
I will take the acting work when I can get it. I am not really an actor, that's always apparent but it's work and I'll take it and am always glad for it.