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[Sharron Angle] said, 'I can't win without you getting out of the race.' But I said I couldn't. I'm going to beat Harry Reid.
I get inspired when I look at Tom Lennon, who did Reno 911! for six seasons while writing huge movies and directing, and also doing other pilots; he did that FX pilot, the Star Trek thing.
I think shows that have more of a narrative and are about what's going to happen next, those need to wrap up as a complete story. But it's weird when a goofy comedy show needs to end.
Endings of television shows are sometimes such depressing things. It's like you're not going to hang out with these people anymore, and that's bad enough.
I find I've always been judgmental about comedy (laughs) and it's hard to turn that off, really. But what constant exposure to live comedy does is it makes you give people a second chance.
If humor is not present, I tend to be concerned about the artist, or distrusting of what they're presenting - unless there is an obvious tragedy being talked about.
There are two different kinds of actors. There are people who take it just so damn seriously. Then there are guys like me that just get up and love doing it.
Trump has to do what Reagan did. Trump's gotta go on the air and tell us what his tax plan is and put it in our faces and put them on the spot. That's what I think he should do.
If I'm racist, don't think I would have directed shows like 'The Parkers' and 'The Wayans Brothers' or worked 41 episodes with Victoria Rowell on 'Diagnosis: Murder.'
People can think what they want to think, I don't go after people. I think most people I talk to, like me, are very quiet and keep to themselves, they maintain their lives.
Males and females have never seemed to fully understand each other. It will probably continue this way, but I think that's part of the magic of it all.
I wanted to be an actor because it gave me the opportunity to express myself in ways I wasn't comfortable expressing myself, as a kid growing up in St. Louis.
The guy that picked me up at the airport in 1985 when I was out in L.A. for my first audition was selling a script. I was a nobody coming off a plane to read for a new show.
I never intended to be on television or in a movie. The theater was all I ever dreamed about, once I decided to try to make it as a business profession. All this other stuff has just been icing.
I find that it's easier to do parts that are wrapped up in different hair and wardrobe and eras, and different period behavior, than it is to play closer to the present.