You see, being bald and wearing that gray starship uniform, I would have looked like a boy. I wanted to look like a sexy female.

Creative people are very insecure people because they don't know whether people like them or are in awe of them. That insecurity always comes out. It makes them a better actor, I feel.

Maybe I'm being philosophical and spiritual, but I believe that if you put negative energy out there that that is what will come back.

I just have beautiful memories of what has happened in my life.

If there is an exotic woman it's always a terrorist role.

After Star Trek, I was with the top agencies, but producers and directors did not know what to do with me.

I only went to one Star Trek convention and that was in the late '80s. I hadn't gone to a convention before that. It was quite amusing, with the people dressed up and all of that.

I arrived in Hollywood and lived much of my life in America, but the fans did not really know me.

Everybody told me to stay in Hollywood. This was the place they said I could have a big career. What they failed to mention was that no one would quite know what to do with me.

I'm going down in history with Star Trek. It's a great feeling.

One thing about me, as far as my career is concerned, is that I'm very confident. I know I'm good.

And now, born from the ashes, she’s a warrior in bloodied black.

Too often, we see wedge politics and petty rhetoric used to belittle adversaries and inflame partisan divisions.

caves so often symbolize rebirth. It's a hidden space, an expected, inscrutable space. Strange things live in there - eyeless salamanders, albino fish, a prophet's epiphanies.

We have the worst security!

True character arises from a deeper well than religion.

Stay back, human. You don't know what you're dealing with.

You do not steal from the dragon, oh, no. The dragon remembers.

France on its own cannot impose its point of view. But neither should it give up on its demands. With a clear vote for change France will be in a strong position.

It is men who make a city, not walls or ships.

For Mallarmé naming an object meant suppressing three-quarters of its poetic pleasure (which consists in the joy of guessing bit by bit - "le suggérer, voilà le rêve!").