The first American word that I learned was cheeseburger. And the first sentence I learned was, "I'm sorry but we don't serve breakfast after 12 o'clock."

I go out with a lot of British people. Some of them say I sound a little tipsy.

I don't want to scrounge around and be homeless, and I want to finish my education.

I find that you learn from others. It's very much about watching TV and watching movies for me and grasping that way and watching other people act.

I can run up a wall and do a back flip - that's the most impressive thing that I can do.

A school out of Canberra sends me a term's worth of work. I sit on the couch by myself and complete it and send it back.

I like to sleep. I like to do nothing. Nothing is my favorite kind of something.

I don't like concrete jungles.

I don't go for girls who have beach blond hair, that stereotypical girl thing. But, you know, whatever comes around.

I hate watching myself, as do a lot of actors.

I'm not really one for fancy, big words and poetry, and the scriptwriters worked very hard on 'Paradise Lost' to translate it.

Men blush less for their crimes than for their weaknesses and vanity.

You put your heart and soul into something, and you really hope that people love it as much as you do.

Surveillance is the business model of the Internet.

“Lovelace” was really great. I got to work with the wonderful Amanda Seyfried, Hank Azaria and Peter Sarsgaard, so it can’t get no better than that, right?

My hat was pulled down and this girl said 'Are you really him?' I whispered 'Yeah, I'm really him.' She screamed, 'Mom! Dad! It's Heath Ledger!

In a Wonderland they lie, Dreaming as the days go by, Dreaming as the summers die: Ever drifting down the stream- Lingering in the golden gleam- Life, what is it but a dream?

I started meditating and as soon as I turned that lens of attention inwards, it was like, okay, game over. This is what I'd been looking for to resolve some of these inner conflicts and pains.

I think that this performance with the Thingamajigs is going to be an exploration of the acoustic space and particularly the vertical space, which we don't think about so much.

How can depression be real if our eyes arent real?

As an actor, you can't say, "I'm going to try to be cool at all cost when I do this," because that's the opposite of what you need to do as an actor.