I have spent the last five months obsessively working on Outlaw.

Two things revolutionised life: Moving to the countryside, and falling in love

And that doesn't cost any money, to have decent relationships and viable situations. What costs money is car chases and shoot-outs, so I always thought that the thing to work on was the characters.

I think one of the luxuries of being a filmmaker is that you can ask questions but not necessarily have to answer them. Certainly, if I was a politician I'd need to come up with some answers.

A child may not know how to feed itself, or what to eat, yet it knows hunger.

You want me to pin my entire operation, the entire revolution on some teenaged love story? I can't believe this.

A man who preserves his integrity no real, long-lasting harm can ever come.

What broke in a man when he could bring himself to kill another?

The gospel confronts us with the hopelessness of our sinful condition. But we don't like what we see of ourselves in the gospel, so we shrink back from it.

I've been approached by major labels every single year of my existence as an artist. Since 1996.

All men know their children mean more than life.

Being a hooker does not mean being evil. The same with a pick-pocket, or even a thief. You do what you do out of necessity.

So there's no such thing as work-life balance. There's work, and there's life, and there's no balance.

We don't have the right to bear arms because of burglars; we have the right to bear arms to resist the supreme power of a corrupt and abusive government.