I am particularly interested in creating a relationship between ideas of reception in conceptual art and theater.

The Author is a play about responsibility, how active we are as spectators and how responsible we are for what we choose to look at.

A child knows when they are on the receiving end of a didactic exercise, or when they are sitting in the shadow of something else.

I'm attracted to the underrated characters.

The Author is subtly unflinching in its satirical attack on certain practices in the creation of art and the mediation of violence.

Theatre critics have no special access to the truth. And there should be no objective truth to art.

Unease is not an emotion I get often in the theatre, and I like it.

As actors, we do our best to keep things light and to encourage in the audience an openness to the changing atoms in the room.

Uncertainty is a very good thing: it's the beginning of an investigation, and the investigation should never end.

It's important to find characters that share sympathy with a young audience, not just in the story but their role in the world.

Maybe it just means that love can be stronger than fear.

I may not be smart enough to do everything, but I am dumb enough to try anything.

I will write of him who fights and vanquishes his sins who struggles on through weary years against himself ... and wins.

One feels the insignificance of the individual, and it makes one happy.

I'm afraid I'm not personally qualified to confuse cats, but I can recommend an extremely good service.

The end of a man's life is often compared to the winding up of a well written play, where the principal persons still act in character, whatever the fate in which they undergo.

We need to restore the spirit of irreverence in music.

I love finding songs, going through them, tearing them apart, and seeing if I can find anything wrong with them.

That which you believe becomes your world

No matter what we as individual women want, no matter what our goals, we have to support one another.