Admitting how ill we are, how deep the damage goes, how constantly the abuse cycle is repeated and how horribly we have failed those who most deserve our care and protection.

Wherever something is "pinned down" there's a little hole - at least one - more likely many.

Given our examination of the behavior of our police forces at this moment the question of protection has an extra resonance, yes?

If we take seriously the idea that the stories we want to hear shape the stories we can (and want to, and are allowed to) tell, then the canon emerges as something to examine very carefully.

"Influence" is itself influenced, coming from an Italian word for the outbreak of a disease (influenza, outbreak). Influence is that which flows across - permeates - the boundaries of the self.

It is worth asking who decides what's an "obsession" and where it differs from meditation or the kind of deep dwelling on a subject we see in philosophy or the work of Robert Wilson, for instance?

Mary Wollstonecraft Shelley (whose mother died ten days after she was born) wrote a novel that anticipates Semmelweis's discovery and serves as a parable for the destructive power of decaying matter.

I'm interested in finding new and more humane modes of safety, and in exposing the arbitrary and superficial protections that have failed us.

One might say that "Torch Song" is, in part, about the urgency of the effort to pin things down and what wild dart throwing that desire leads to.

I am a phoenix rising from the ashes of my pain and suffering. Today I am reborn, today begins my growth and change.

Faith is huge and I am a proud Christian. I think it would be difficult to have a career like the one we have without having faith.

An invention that is quickly accepted will turn out to be a rather trivial alteration of something that has already existed.

I want us to have it all, love and career. It's a struggle sometime to achieve that, but I love the struggle.

No work is stressful. It is your inability to manage your body, mind, and emotions that makes it stressful.

You can find more traditional Shakespeare than we do. But what we want to bring to these works is energy, passion, freshness.

Worse than a bloody hand is a hard heart.

I was convinced that our beliefs are based much more on custom and example than on any certain knowledge.

What passing-bells for these who die as cattle? Only the monstrous anger of the guns.

None can cure their harms by wailing them.