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I think the only positive thing that came from Uruguays dictatorship was the spread of Montevideo natives around the world, and I continued writing about them from my various places of exile.
I don't write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that's it. I have a motorcycle and tool along the country lanes. I travel at my own speed.
First thing, I throw on some jeans, a T-shirt and my Keds sneakers and make coffee. That is actually my favorite time of day. That is when I do my songwriting, when I am in writing mode.
In every song I write, whether it's a love song or a political song or a song about family, the one thing that I find is feeling lost and trying to find your way.
When I'm making my music, I'm writing it, I'm producing it, I'm playing all the instruments, I'm performing. It's my own world where I do what I feel, and nobody tells me anything.
As I grew older I found that I really had a knack for rhyming and I pursued that. So by thirteen I got serious about using my writing and rhyming skills. I did it everywhere I could.
While writing, writers are living inside a character or characters, and when the book ekes into the world, writers are living inside the reader. That's more than connecting.
I don't know the nuts and bolts of writing. I studied medicine. I was a pre-med nerd. So everything I learned, I know about writing is very instinctive.
Some people are mean, and when you look at their page, they only write mean things, but I have a great time with a twitter person. It's not even to promote myself, just to entertain me.
I believe it is important to speak to your readers in person... to enable people to have a whole picture of me; I have to both write and speak. I view my role as writer and also as oral communicator.
Music breeds its own inspiration. You can only do it by doing it. You may not feel like it, but you push yourself. It's a work process. Or just improvise. Something will come.
I formed a resolution to never write a word I did not want to write; to think only of my own tastes and ideals, without a thought of those of editors or publishers.
To write and not tell the truth? That would be death for any writer. But more, it would be death to the imagination. And if the imagination dies, what would happen to the souls of children?