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When I was young, I was very technical about these things. I didn't like to admit to any intimate relation with what I was writing.
Today, writing seems to me like an incredible luxury, almost a perversity, something which hardly exists in the world anymore, where you get to see the fruits of your actions in a daily way.
I've always been a writer, and in high school, I was the editor of my school newspaper and I got a writing scholarship. It's always been a passion of mine.
Writing becomes a really good creative outlet when you're sitting there and feeling creatively frustrated or stilted, but also you then get to write parts for yourself.
Every time an adult is going to write something for a teenager and you don't have, physically, a person who is that, you are always going to be a little off.
Up in that room I decided that I would write one story about each thing that I knew about. I was trying to do this all the time I was writing, and it was good and severe discipline.
There are lots of guys out there who write a better prose line than I do and who have a better understanding of what people are really like and what humanity is supposed to mean – hell, I know that.
Maugham then offers the greatest advice anyone could give to a young author: "At the end of an interrogation sentence, place a question mark. You'd be surprised how effective it can be.
When you are writing, you must treat it as the most important thing in the world, even when you know it is not. This helps you take the job seriously and do your best on everything you write.
T[he rules of writing] require that the personages in a tale shall be alive, except in the case of corpses, and that always the reader shall be able to tell the corpses from the others.