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Impurity is a mere superimposition under which your real nature has become hidden. But the real you is already perfect, already strong.
If you're trying to be realistic and bring real life to the screen, you are going to have different elements. That's what I'm trying to do. As I make the movie, different elements come in naturally.
Even for the people in the business who are real music lovers it's really about putting things in the right boxes, and my style doesn't fit into a box.
I've got my one area I work in and I want to educate people about autism and I also want to improve, you know, animal handling and transport and make a real change out in the field on the ground.
I'm trying to do something real different; I'm trying to bring the street to real pop. I'm trying to bring the street to pop. Not watering it down, no nothing.
I don't know if it's harder but when you're playing a real person you want to honor their memory - even if they're a criminal or someone that the public loathed. That can be challenging.
Particularly with MFA students, who have so much invested - literally and figuratively - I feel like honest criticism is something they're owed. It's not going to be easier in the real world, surely.
How many days do you have that are just purely dramatic? How many days do you have that are just purely comedic? It's usually a combination and I think that's what real life feels like.
My background are acting, film production, directing, and I studied them for many years. Keep in mind that you need many other skills when you are starting any film project related to real life.
I have so many other interests: Writing, acting, directing, real life, I need little pieces of it all to satisfy me. The thirst is deep and I am complicated.
I don't really take the college tours and all that. Those are young people and I'm quite sure they're mature enough to understand, but they haven't seen or lived real life yet.
My brand of fantasy is completely devoid of the traditional notions of magic as ritual. Instead I see the fantastic as a meta-layer of existence beyond the real world.
[Mid-list writers are now] less greed on the part of both publishers and chain booksellers. It is easier for them to publish and sell only blockbusters and leave the real work to small presses.