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I started writing one afternoon when I was twenty, and ever since then I have written every day. At first I had to force myself. Then it became part of my identity, and I did it without thinking.
My sister Tiffany told me years ago, 'You can never write about me.' Then she called six months ago and said she wanted to be in a story. She was worried people thought I didn't like her.
I cry all the time when I watch 'Glee' because I don't know if it's satire or melodrama and that makes me feel like the writing is aware of itself, and that makes it OK to cry.
I think people are quite surprised that the handwriting I use in my drawings and paintings is my own handwriting. They're slightly shocked when I write them a letter.
If something in your writing gives support to people in their lives, that’s more than just entertainment-w hich is what we writers all struggle to do, to touch people.
Writing a novel is like making love, but it's also like having a tooth pulled. Pleasure and pain. Sometimes it's like making love while having a tooth pulled.
My relationship with Music Row has always been, from my end, optimistic and hopeful that there is more than one way to approach the writing, recording, and marketing of an album.
If you take the time and put in the effort to write your own material and absolutely refuse to be denied the right to make your film it is difficult whatever colour you are.
I'm perfectly happy when I look out at an audience and it's all women. I always think it's kind of odd, but then, more women than men, I think, read and write poetry.
I learned early on that I could get a lot of attention by singing and writing little songs, so it was like throwing nuts to a monkey... I just couldn't get enough.
I can't concern myself with what's going on with the club or what the media is writing. If you pay attention to those things, that's when you get yourself in trouble.
There is no right or wrong way to write a novel. Each journey is different for every individual work and for every writer. The first error is never to begin; the second is never to finish.
My writing is really intuitive. As a kid, I went to school in New Jersey and hung out in New York, so the way kids used to talk got into our earlier songs.
When I'm writing, I am concentrating almost wholly on concrete detail: the color a room is painted, the way a drop of water rolls off a wet leaf after a rain.
The one thing which seems to me quite impossible is to take into consideration the kind of book one is expected to write; surely one can only write the book that is there to be written.
The English language has a deceptive air of simplicity; so have some little frocks; but they are both not the kind of thing you can run up in half an hour with a machine.
It takes me six months to do a story. I think it out and then write it sentence by sentence - no first draft. I can't write five words but that I change seven.
I took time in the day to write as much of the book as I possibly could. I didn't write too much at night, because I don't like to - I'd rather watch TV.