Visual Quotes
Visual Quote of the day
It's more fun if you can control things like lighting and make special effects in the darkroom.
Communication is the key, and it's one thing I had to learn-to talk to the actors. I was so involved with the visual and technical aspects that I would forget about the actors.
There are three forms of visual art: Painting is art to look at, sculpture is art you can walk around, and architecture is art you can walk through
Radio is such a perfect medium for the transmission of poetry, primarily because there just is the voice, there's no visual distraction.
I've always thought of the book as a visual art form, and it should represent a single artistic idea, which it does if you write your own material.
The most important thing is that you have to have the visual effects working for you, instead of you working for the visual effects.
I think almost always that what gets me going with a story is the atmosphere, the visual imagery, and then I people it with characters, not the other way around.
After about the first Millennium, Italy was the cradle of Romanesque architecture, which spread throughout Europe, much of it extending the structural daring with minimal visual elaboration.
Today, with computer-generated visual effects, everything is possible. So we've seen everything. If it can be imagined, it can be put on screen.
To know how scientists engage in visual imagery is to understand how they think creatively.
I found that it wasn't so oddball to like music and poetry and visual arts, they're kindred spirits.
It is my entire visual art practice: I eat, sleep, think, write about and do drawing.
In a world full of audio visual marvels, may words matter to you and be full of magic.
There's some connection between visual images and music. But there's plenty of old records where I have no idea what the band looked like, or even what sort of context the music was played in.
To me, photography is not just a visual art, but something closer to poetry - or at least to some poetry, such as the haiku.
Because it's visual art, a lot of it comes from childhood experience but then a lot comes from the visual language - in advertising and stuff like that - which is around us.
The best visual effects are when you shoot as much of what you can in camera. And it's really good for the actor's performance to have something real.
Slowly poetry becomes visual because it paints images, but it is also musical: it unites two arts into one.
If I want to do something in the TV industry, I should be allowed to explore that, but not in a way where it has to cancel out or ruin my visual art career.
In movies, you can basically buy the audience into the theater. If you spend enough money on visual effects, even if you are lacking in story and character, you might still pull it off.
When I was a little kid, I wanted to be, like, you know, a movie star, you know? Or, I always have interest in movie, you know? Because I like the visual aspect of the movies, et cetera.
What draws me to theater and religion are these rituals made to make you feel emotion. It's so banal in an interesting way. In visual art it's about making you feel emotional, but it's more subtle.
I've always been obsessed by visual art as I have been by music personally, but that doesn't mean anything professionally.
I started connecting things to my body during my childhood. I approached the computer as a mediating element, as a form of visual art.
After I script the movie, I have to storyboard it out, I have to budget it, and I have to understand if I can afford all those visual effects or not.
I collect art books. I have hundreds and hundreds of them and they get me to start hearing things. Sometimes people look at them, but I find that visual art gets me listening, gets me hearing things.
There are so many films now where you know the story is a supporting role to the visual effects.
Our music is always, as you know, very spacey- computer graphics, music, images, lyrics, and visual art we make ourselves, or that we make with artists. And it's all synchronized.
I think that if you're creating an environment completely or...in my research, what I've learned is that if it's a CG world or a lot of visual effects, you're almost better doing that in post.
Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.
You set up the look, the visual effects and the sets, and that's awesome, but I enjoy the casting most of all. That's where you really get to define the show.
What I'm doing in writing has been thoroughly and exhaustively explored in other fields like visual art, music, and cinema, yet somehow it's never really been tested on the page.
I am a musician who stopped working with music. Now I work with visual music, or audio-visual music.
Creating music, visual art, producing music and film are always at the forefront of my life.
Thai society rarely attempts to control literature in the same way that it vigilantly polices visual art. It's ironic because people in this society are more aware of literature than they are of art.
The funny thing is musicians often love to go to see visual art because you've got all these pictures to turn into metaphors.
