Tv Shows Quotes

Man V. Food is the highest-rated show in the Travel Channel's history, so clearly there's going to be a correlation.

When I do stand-up shows at colleges, girls will talk to me after the show, and that always feels good. I like talking to them.

When I'm up there, and I know the show's coming to a close, in my head I'm saying to myself, Oh man, you gotta get off and be a normal person again. That's what I don't like so much.

The U. S. trade deficit with China shows that while we value the potential of their market, they value the reality of our market. It is in this area that we should use our leverage.

To show that you truly care, you listen.

Every time I hit the stage I try to take something from it. There are a lot of shows and opportunities to be seen like that. I like to just take all of them and allow them to help me build.

You always have good shows and bad shows. People want a certain amount of each. It's just widening the market a little bit. The involvement of people at home is just broadening things.

German civility, which often seems stiff to us, shows an attentive and touching respect for the person that I often prefer to our offhandedness.

There's very few shows that truly reflect specific ethnic experiences, and when they come and come right, they're a hit.

There are many ways of asking a favor; but to assume that you are granting the favor that you ask shows spirit and invention.

All movies in China are censored. Out of 600 movies produced in China, only 60 are allowed to show in theatres.

I'm most embarrassed at my art shows, even though I don't show it.

Sometimes you see auteur TV shows and movies, and those are great.

The opening-night audience is mostly friends of the cast and backers of the show, and they cometo applaud their money.

I cannot imagine where we would have been without BET. Many like me who operate in black America can only get our balanced story told nationally on BET talk shows.

People working at the arenas are not just depending on one or two concerts. I think it gives a symbolic boost, as well as those shows do bring down some monetary investments in the city.

When I go to my live shows it's often a multigenerational audience, a family bonding experience.

I decided that I wanted to be a voice on every animated cartoon in the history of the world - even shows that haven't been on the air for a very long time, that's going to be harder to pull off.

I am a little suspicious of industry paradigms. I feel like so many movies and TV shows feel so familiar because of over-reliance on these paradigms.

When you're a regular on a TV show, they give you more of a backstory, so with these recurring gigs, you have to make up your own backstory.

My wife says I'm much happier when I'm not a regular on a TV show.

If you just do 50 to 60 shows a year, it's not that much time away from home.

I have two or three shows that I follow, and even those are few and far, when I can see them on Netflix. I don't really watch anything on TV. It's not really a priority for me.

When I watch medical shows or other shows where characters die, it kind of bums me out.

The role of the Guru is to show the person that he already has what he is looking for.

I'm a liability to them - I'm a woman, I'm empowered, I'm an artist. I've had executives who can't come to my shows they're so scared of me. I've been a thorn in many people's sides just by existing.

After every show, I say to Hania [Destelle, a friend], ‘They hated it.’

I work on fittings, mostly. You know, I sketch less and less in my work. I sketch for the show sometimes, but then it becomes more conceptual. But when I don't sketch, it becomes more pragmatic.

I spend my time backstage at the Lanvin shows, and when I come out at the end, all I see are people's eyes.

I want to give people jobs and put them on great shows. I want to create careers for people.

I think all shows change as they age as do the people who make the shows. As do the people who watch the shows. All targets are moving.

We almost don't want to play bigger shows than where we are now. It's kind of perfect.

The shows are the main way our lives have changed.

Art is what gets communicated at a live show, which is why live shows are so amazing. To communicate in a different way is a mixed message. It devalues everything.

I can never say a line someone else has given me, which is why script meetings on TV shows always go terribly for me.

Get up, dress up, and show up.

You find a lot of ideas from my shows in adverts now. I find it a compliment.

She who ne'er answers till a husband cools, Or, if she rules him, never shows she rules; Charms by accepting, by submitting, sways, Yet has her humor most, when she obeys.

I find myself hoping I can get on a TV show, and then people from Oklahoma will come to my restaurant. Then I'll be able to make enough money to open my own place.

Once you became associated with a children's show, you're finished.

Television studios bet the farm on reality shows, where they didn't need any actors and movie studios had no plans for any quality movies that required the presence of me.

You get a kind of familiarity on a set when you're on a TV show.

American shows can go on for 20 years. I respond more to the British format. Three seasons is a long run for them to tell a story.

But this is called show business, not show family.

Something I've learned from people like U2, the Stones and Lenny Kravitz is that the grind of live shows is so necessary [to build your career].

I was just talking to Bono the other day, and he was like, "Are you doing shows?" I've just been off the road for a month-and-a-half, and he was like, "You lucky girl."

30 Rock is probably one of my favorite shows. It's just joke after joke after joke.

I love originating shows and originating songs - there is nothing better than being the first one to get to do a song.

You have seen me at my worst and at my weakest. Let me show you my best.

If Mitch McConnell were a TV show, he would be ‘Mad Men,’ treating women unfairly, stuck in 1968 and ending this season.