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A book is a fragile creature. It suffers the wear of time, it fears rodents, the elements, clumsy hands.
Perceval Press a publishing house I founded in 2002 and it's still going strong. Strong for us means not so many books per year, but each one we very carefully design and print.
My first reaction to finding Robert Smithson's Spiral Jetty in a book was, Wow, what a great photograph! I could not believe that someone had gone to so much trouble just to end up with a picture.
It is with books as with the fires of our grates, everybody borrows a light from his neighbor to kindle his own, which in turn is communicated to others, and each partakes of all.
Games are not about being told things. If you want to tell people things, write a book or make a movie. Games are dialogues - and dialogue requires both parties to take the floor once in a while
The gospel we preach must not be just something we hear from men or read from books or even conceived through our meditation. Unless it is delivered to us by God, it can serve no spiritual utility.
It is chiefly through books that we enjoy intercourse with superior minds. In the best books, great men talk to us, give us their most precious thoughts, and pour their souls into ours.
In a world in which men write thousands of books and one million scientific papers a year, the mythic bricoleur is the man who plays with all that information and hears a music inside the noise.
We read privately, mentally listening to the author's voice and translating the writer's thoughts. The book remains static and fixed; the reader journeys through it.
I want to see books taken out of historical time and placed into a different timeline, such as evolutionary or geological time, as a means of putting the human experience in context.
I build a book the way coral reefs are built: millions of little calcareous skeletons piling up one atop another, though in my case the skeletons are drafts.