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I know a movie and a book are two different things and you are going do different media in different ways. No author can want a movie to be exactly like the book because then it will be a bad movie.
My mom wasn't, like, she was reading all these historical romance novels the majority of the time. She read a feminist book and then my dad would sit down and explain it to her like she was an idiot.
My first book was the most successful debut novel in the UK ever and every one of my books has reached number one in the UK. Clearly the British know brilliance when they see it.
I optioned a book called "Rare Objects" by Kathleen Tessaro and I'm adapting it . It takes place in the 1930s and it's about two women and that's what I'm working on to direct.
I'm scared. I'm excited. I'm ready for whatever happens but I think that fame is what comes along with the territory when you open yourself up and become this story, this book for anyone to read.
The book was at a reasonably high position on the New York Times... before I was in the country. I thought it would be an interesting experiment to see if my presence here would push it up or down.
I find Japanese books quite baffling when I read them in translation. It's only with Haruki Murakami that I find Japanse fiction that I can understand and relate to. He's a very international writer.
Half of my mum's family is Welsh. I remember when I was a kid she used to read to me, and witches and wizards in books always had a Welsh accent, so I guess I took it from that really.
I love that thing on Amazon that you can go on and order a book, and you click on it and it says, 'You might also like,' or 'Other people who bought this have bought that.
I read that book How to Hug a Porcupine [by Julie Ross] - it's my parenting bible. They say you have to trust your children and give them freedom. I say, OK, but this is New York City!
The reader is not the customer. The retailer is the customer. So I try to have as much interaction with the retailers as possible because those are my customers.
Books woke me up. Books are my favorite man-made objects. I fetishize their design, smell, feel. And that they can contain such burning, complex communications is a miracle to me.
I still have a full-time day job, which is why it took me five years to write An Ear to the Ground, and why I won't have another book finished by next week.
Knowledge exists in minds, not in books. Before what has been found can be used by practitioners, someone must organize it, integrate it, extract the message.
My books are better thought about than read. They're insanely dull and unreadable.But they're wonderful to talk about and think about, to dip in and out of, to hold, to have on your shelf.
Just looking at me, I am a Black man. Born and bred, through and through. But I am also a lot of things. I am a father. I am a husband. I am a Christian. I am a comic book geek and I'm a creator.
One thing that is sometimes forgotten in this "future of books" discussion is that there are all these awesome presses - big and small - that are producing and designing amazing books.
One thing I discovered is that the book world is vast. It's easy to walk around the store - even the room with literature and poetry, where I work most often - and feel overwhelmed.