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I take pleasure as a reader in books that tease with a kind of urgency of the real, even if it's only a manufactured effect.
Teaching high school was my real training as a novelist: it got me out of my head, and (at least a little) out of books, and invested me in the lives of others and the world around me.
Not everything that can be extracted appears in anthologies of quotations, in commonplace books, or on the back of Celestial Seasonings boxes. Only certain sorts of extracts become quotations.
I read real books. On paper. You know, those printed books? I feel like this is the last thing I do to support my industry. I think they smell great, too.
You want to read a book? That requires introspection. It requires time away from people and time away from the constant need to communicate and to connect.
A lot of the ways of advertising a book - the cover, whether somebody sees it on a subway or sees it in a bookstore - those things are going to rapidly diminish as we move to an electronic model.
I love librarians more than any other people in the world. When I was an immigrant kid, they’ve made me feel like a human being and they gave me books that taught me English.
I never thought I'd be a person who would want to write books...I promise you not a single English teacher I've ever had would have thought that this would be going on right now.
Music and books were my inspiration too. I read avidly as a kid. And that's the beautiful thing about books and music and even movies, is that you can actually escape. You can go into other worlds.
What's interesting is that when you get into the post-war period, many of the narratives in books and movies conclude that if you killed Hitler, you're actually going to make history worse.
Replies began arriving seconds after he pressed send, and soon every single one of the warriors (besides William) had agreed to come home. Take me out of your address book, William
I discover methods for myself and then read books that describe 'my' method. This leads me to believe that the creative well is shared in some magical way.
As I take up my pen I feel myself so full, so equal to my subject, and see my book so clearly before me in embryo, I would almost like to try to say it all in a single word.
My taking pictures means I'm taking a series of pictures which become an essay and then get extended into a book. That's what's exciting, to take an idea and work it through to completion.
The fact is that the intrinsic worth of the book, play or whatever the author is trying to sell is the least, last factor in the the whole transaction.
What holy cities are to nomadic tribes — a symbol of race and a bond of union — great books are to the wandering souls of men: they are the Meccas of the mind.
With a single drop of ink for a mirror, the Egyptian sorcerer undertakes to reveal to any chance comer far-reaching visions of the past. This is what I undertake to do for you, reader.
My books don't seem to belong to me after I have once written them; and I find myself delivering opinions about them as if I had nothing to do with them.