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I would draw my own comic book characters listening to metal. The drawing and music kind of went hand in hand.
It makes more sense to write one big book - a novel or nonfiction narrative - than to write many stories or essays. Into a long, ambitious project you can fit or pour all you possess and learn.
The biggest idea that I have learned - I basically went in to write a book about Adam and Eve, ended up writing a book about love. And what did I learn? Love is a story you tell with another person.
I'd love to see a good script of one of my books, in these years of animations and comic book sequels, and had so many written over the years, but none quite clicked.
Most people travel with a good book, but I also keep my agenda with me; I'll flip through the pages and take a few moments to organize my life a little - I rarely get the time to do this normally.
A lot of my close friends had tolerantly washed their hands of the whole idea of me writing a book. They had said to themselves, "I don't know what he's doing."
Socrates called himself a midwife of ideas. A great book is often such a midwife, delivering to full existence what has been coiled like an embryo in the dark, silent depths of the brain.
I don't necessarily think I look to books for ideas, but sometimes when I'm in the process of reading a great book, I just think about it all of the time.
I spent seven years writing The Free World. There are a lot of things I accomplished there that I'm very proud of, but I didn't want to spend another seven years writing a book like that.
Comic books, if you're adapting a comic book - like X-Men, for example - you've got 40 years of amazing stories to dig into, things that incredible artists have been thinking about for decades.
My main piece of advice would be dont worry about being published - just write a really good book, but also dont be afraid to write a bad book. Give yourself permission to fail, and dont be afraid.