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I dont theorize too much. I sort of let the experience sink in, and I have to discover what the character is by doing it, and having those thoughts that shes thinking.
It's a lot of luck and being in the right place at the right time, that's what I think. Obviously you need to be noticed by people to be given the opportunities, and I think you do have to work hard.
I think because I came from a very strong news background and people were aware of me from that side of things, they appreciated me as a journalist. Maybe it was less difficult for me.
I think what irks me is that I feel like women are really being compartmentalized physically, and it's been done so much that now we're doing it to ourselves. I don't like it.
In Philadelphia, you are welcome, and that's The City of Brotherly Love. I think that makes us culturally thick and sound, so you can experience all kinds of cultural authenticity.
There's a certain level of realness in Philly. You know, just - people are people. You know, it doesn't matter who you are or who you think you are, you're just a person in Philly.
I think, as an artist, you have to have experienced some deep turmoil, some kind of pain, because that's what connects you with the world. That's what makes it juicy!
All you have to do is take a man at face value. Don't go into it thinking you can change them. Men aren't fixer-uppers, not like a house or a car. You buy them as is.
Under Donald Trump, you know, we've seen the foundation of the Republican Party move into the Democratic Party, so Donald Trump, I think, will have a lot of trouble moving things through Congress.
I was in a community where we were out demonstrating. We were holding vigils against the Vietnam War, in - like, starting in around '67, I think, before it really exploded as a big movement.
I wouldn't say it's a done deal yet, by any means. I think there are a lot of people who feel like their lives depend on decisions that are going to be made in this election [2016].
I think there are a lot of people who feel very passionate about needing to have an open debate. And I think it's a real sign of leadership that the press needs to be actually standing up for that.
I think, it was like 30 million dollars the Libertarians talk about that it cost them to get on the ballot. We don't have 30 million dollars. We're a people powered campaign.
They knocked out Bernie [Sanders] as they would have knocked him out, like [Barack] Obama if he came into office. So I don't think the Democratic Party is going to solve it for us.
It's hard to think too hard about anything Donald Trump says because, you know, he will change his mind in the next hour, if not the next day, or whatever.
I think it's really important to look at the walk and not the talk, and if you look at the walk, our paths [with Hillary Clinton] are extremely divergent.
Remember Donald Trump had about $4 billion worth of free media, and Hillary Clinton has had about $2 billion, and we've had zero. I think it remarkable that we are standing where we are.
I like to think about the genre, the essay or the memoir, as much as I enjoy writing within its fluid parameters. And teaching allows me to think about it, to articulate it, and to explore it.
This world is going in all sorts of directions, but I think all you can do is get people to think about things in a different way, because sometimes people aren't even thinking.
It's so important to embrace what you have because if you don't, that can be the root of very self-destructive habits, which I think people waste a lot of energy on.
I think growing up, you just deal with 'I'm ugly,' or 'I don't look right,' or 'my hair is wrong,' and it's such a distraction from what can really elevate you.
In general, I think the best thing to do is to connect with other females. I love meeting other female artists and feeling like we're all rooting for each other. I think that's shifted even more.
I think, more importantly, it's about who is your core team? Who are the people around you that are going to fight for you and make sure that's all protected?
I think when we were starting off, I picked a group of women to represent me. The top tiers of everyone that I've worked with are women. It felt more comfortable because they can relate to me.
I saw myself traveling with a company or making my own work and being a little weird. I wasn't thinking about the business side of anything, I just knew that I loved dancing.
Once you train you develop your own aesthetic and your confidence. So, I think as I grow I'm learning how to be a singer. I'm training my voice and being on stage and singing and dancing.
I think there's an unnatural amount of social pressure on women, particularly mothers, to conform to certain standards of behavior, particularly in regard to our children.