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I don't have anything to prove anymore. What other people think of me is not my business.
I don't want people walking out of a movie thinking I was trying to act or be some movie star. I want them to think, 'That might make me like Jessica a little bit more.'
I think it's ironic that I fell in love with a man I thought I would never be interested in because he's an athlete. I was always, 'An athlete? Heck no.'
I've been thinking a lot about Lady Gaga and what she means for feminism. I think - I find her completely fascinating, and I really like what she has to say.
I think we get into very dangerous territory when we start to define who can and cannot be a feminist. It's such a slippery slope, and I have no interest in being the feminist police!
I'm glad that we have a history at all and that we can talk about feminist history. But I do think that it doesn't really pay attention to the complexity and the nuance that is feminist thought.
Whether people identify as feminists or not, if they're doing work that furthers a feminist cause, I think that's wonderful, like if it works for me, right, it works for the movement.
There are a lot of people holding on to the old Jessie J - whatever that means - but I think there's a lot more people realizing what I'm about. I think people like it.
I feel like a lot of the industry and media portray this image of what beautiful is, or how you should dress, or how you should look, and I don't think it's healthy.
I'm so hard on myself that when I'm in the studio, I'll write 10 songs and only use one. So those nine songs that are left over, I always think, 'Where could these go? Who could they be for?'
I don't think I've done anything important or magnificent. I'm a worker, and the thing I prefer in my life is cinema. When I'm working in cinema, I'm happy. And that's all, you know?
My second record I used a producer, which was frustrating in a way, because I think a lot of the punky spirit and provocative nature of the lyrics didn't come across - the music was pretty.
Ever since I'm done with Zim everyone thinks that I'm going to go back to comics. I've been flooded with emails asking me if I'm working on the new Johnny over and over again.
If I stop to think about fans, or best-selling, or not best-selling, or good reviews, or not-good reviews, it just becomes too much. It's like staring at the mirror all day.
I think the new technologies have become pervasive in our society, such as cellphones and the internet, and they've insidiously affected our personal sense of space and belonging.
Now, when you are aware, you see the whole process of your thinking and action, but it can happen only when there is no condemnation. That is. When I condemn something, I do not understand it.
I think having six people all with different energies and different perceptions all working around a script is quite profound. It’s not about, oh that’s what you should be doing.
I think it's important to let each thing you write teach you how to write it. You must listen to what you do. Let it be in control. I don't step in until I know what it demands of me.