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Think through whom you are trying to reach. Tailor what you do and how you do it to appeal to those communities.
When American producers see my film, they think that I had a big budget to do it, like 23 million. But in fact I had 10 percent of that budget. I did Mars et Avril for only 2.3 million.
I think you have to be careful not to do too much as yourself. Otherwise you stop getting the acting roles, and at the end of the day that's what I love.
A brand is a person's perception. Of course, it makes marketers nervous to think that marketing is out of their control, but that's why the discipline of branding has emerged.
Normally I can balance two or three things. The problem is when you're out of work and don't have anything to balance. I think people assume you're always busy. You go through dry spells.
A poem really does recreate the language, and that's what it has to do. A true poem, I think, has to give you that shiver. That, "yes, it's never been said quite that way before."
I always hesitate to call myself a children's poet, and I always hesitate to call what I write for children poetry. Though a few of the verses that I've written, yes, I think they are truly poems.
I sometimes think I prefer suitors in books rather than right in front of me. How awful, backward, cowardly, and mentally warped that will be if it turns out to be true.
Nothing ought to be told, I think that does not interest or kindle one's own mind in looking back; it is the only condition on which one can hope to interest or kindle other minds.
We try to effectively free ourselves up to be creative, to think about what might be possible, to come up with truly innovative ways to enact our values-driven positions.
I'm a bit of a perfectionist. I want to try it again and again, and a lot of times my fellow musicians have to hold me back and say, "Nah, I think we got it."
I think that every new record is a chance to... I think what it is for me is my heart and soul at that moment in time... I've always felt that just being able to make a record is a privilege.
I certainly felt the desire to reach as many people as I could; I wanted to make the most of this opportunity, sure. But I wouldn't call it pressure the way we're thinking of it now.
So I think that if I do feel more freedom right now in my career, it's not so much because I have less at stake but more a sense that I've learned more.
it is amazin, she thinks, how simple appearances can be created - a rush, a smile, a new coat of paint, a slow, calm voice, a hug, a new dress - a resolve to keep out questions and cling to secrets
I'm a fan of films in general; I mean, I don't think I've ever considered myself specifically a horror fan even though I do enjoy horror films, find them really entertaining.
Obviously, we're all going to die at some point. Whether or not we are fated to die in some way I think is debatable. I just don't know which side to debate.
To me it's so much like Spaced in that way. Um, which I love so much, so I think fans of that and fans of the comics are going to really see that up on the screen.
I think when I was 12, when, like, 'Titanic' and 'Romeo + Juliet' came out, my friends and I made our own Leonardo DiCaprio fan club. I definitely had a thing for him.
Normally as an actress you're constantly worried that people think you don't look good enough. It's just like an unnecessary stress that's just frustrating.
Anytime I'm given scripts where I'm sort of the fantasy girl, it's hard for me because that's not real and I don't think it's a great thing to put out there consistently.
That's the way I learned photography: You make your picture in the camera. Now, so much is made in the computer. ... I'm not anti-digital, I just think, for me, film works better.
I go into every story thinking I'm going to fail. I think about that all the time - I think it's going to be terrible. Every story is like the first I've ever done.