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You can't always just put color filters in 80s aerobic videos or take stuff from public-access and look at it in this very ironic, self-conscious way. That only takes you so far.
I did other stuff before then, but I was sexually active at 20. I'm glad I waited for the right person, because you look back and you go, 'That girl was bats– crazy. I'm glad I didn't go there.'
I'm harmless. I don't have any ill will or ill thought towards anybody. When people know you're that way, you can say stuff that the creepy guy at your office could never get away with.
It never hurt Lenny Bruce's career to get arrested for swearing. It did back in the time, but he broke those doors down by doing the stuff that he believed in.
I used to be very fascinated by Victorian stuff, and my best known books, the Mortal Engines series, have a sort of retro, Victorian vibe, despite being set in the far future.
We are always making more and more stuff in the world. You know; big buildings, big planes, big boats and that. Will we ever get to a point where all this is too heavy for the world to handle?
But I'd play on everything from pop records to a lot of the glam stuff to rock stuff to classical stuff. I used to get called to do all those things, it was great.
You don't want the biggest record deal as far as money goes, you just want to make sure that the people at the label really support your band and the music and stuff.
I don't really look at myself as the kind of person who craves attention, but I've never been to therapy so there's probably a lot of stuff about myself that I don't know.
In the Mexican repertoire there's a lot of super delicious things you can do with vegetables and beans and grains and all that sort of stuff. So I can do this thing.
I've been very blessed to make a living in stuff I love and am totally passionate about, music and writing. So I'm eager to see what the day will bring, how I will feed that passion.
People think I should be a multi-millionaire if I had gotten the right contract. I'm not getting anything for all that commercial stuff they do. But I would have had to pay for that.
I wanted to do everything. I wanted to be a pilot. I wanted to be a secret agent. I wanted to be a fireman and a doctor, all that. So I related that through movies and stuff.
I'm not that keen on fierce dictatorship. I think that sort of the point of working with somebody is them coming up with stuff and feeling free to do that.
All my stuff is pretty seamless - like now, while I'm touring [Yesterday I Sang The Blues], today I'm going to go in the studio, I'm writing my next one. For me it's continual.
Obviously there will be a backlash. If you believe the hype you have to believe a backlash too. Any criticism we get, is always stuff we've already criticized ourselves.
I worry about being a fogy and just writing for orchestras. Like, really, I should be doing more electronic stuff, I feel. Laptops as part of the orchestra, and installation sound, and speakers.
When you're trying to pass on the best of the stuff you're culling to what should be a hungry culture but you have it diminished... that's kind of disappointing.
I'd like to do policy and I'd like to do philosophy, I'd like to be able to get into the depth, into the meat of the argument - that's the kind of stuff I want to do.
We shouldn't be afraid to fail - if we are not failing we are not pushing. 80% of the stuff in the studio is not going to work. If something is not good enough, stop doing it.
I only ever privately tell people stuff for the scene. And I often ask what they feel is right. Normally, by the time that we're filming, if it doesn't work, it always the script.