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As if there could be true stories: things happen in one way, and we retell them in the opposite way.
I didn’t want to tell the story of myself, but someone I called myself. If you read yourself as fiction, it’s rather more liberating than reading yourself as fact.
When we let ourselves respond to poetry, to music, to pictures, we are clearing a space where new stories can root, in effect we are clearing a space for new stories about ourselves.
True stories are the ones that lie open at the border, allowing a crossing, a further frontier. The final frontier is just science fiction--don't believe it. Like the universe, there is no end.
There's something about the authenticity rather than the autobiography that makes my story and my pain move across and become your story and your pain.
We don't run out of stories, because of the characters. But also every year, the NFL, like a crazy rich uncle we never see, just drops some stories off at our door.
The stories in Get In Trouble confirm once again that Kelly Link is a modern virtuoso of the form-playful and subversive required reading for anyone who loves short fiction.
Of course, all writers draw upon their personal experiences in describing day-to-day life and human relationships, but I tend to keep my own experiences largely separate from my stories.
I'm not really an autobiographical writer, though I use lots of stuff from my life to make my stories seem real. But when I actually write about myself, I get very confused.
I have actually been very fortunate to be able to make films on my own credit card without having huge funders behind me dictating how the story should be told.
We can have the final word on hate, neglect, disease and all the other insidious characters that still script their way into our stories...for now, but not forever.
I've always wanted to be a writer. Ever since I learned to read, I've wanted to share stories with others the way my favorite writers shared their stories with me.
I'd just find a story in Canada and come and do it. Combine harvester banger - actually I've done that: banger racing up in Red Deer [in Alberta, for his 1998 doc series Extreme Machines].
In New York City there are interesting characters and there are interesting stories. There's a story on every street corner. I love it. I think that's what really attracts me to making films.
I had a lot of expectations placed on me because I was already having some success with my short stories. That was not a good situation to be in. That by itself took a long time to overcome.
Narrative stories are nothing but models of karma and causality - how one thing leads to another. And a lot of narrative fiction is about causality that we don't immediately understand.
I realized the structure in a collection is how they're put together. Structuring the collection became the art of it for me. Because the stories had all been written.