Jeff Britting Quotes

Music and text have several commonalities, and one is meter and rhythm. Both spoken word and music have certain regularities, and they can be sub-divided rhythmically.

After I write a sequence, I just open the script and then sit at the piano keyboard and "play" the script. (And because I also draw and paint, sometimes I sketch out the action as well.)

Basically, I composed the musical structure in one pass. The rest was editing and small adjustments. And when the play was read by actors with the music, the sequence timed-out perfectly.

After each performance of an Austin Shakespeare production, audiences are invited to stay for a ten-minute discussion of the work. And this tradition continues in our New York run.

I really enjoy fusing text and music.

Sometimes, I stood at the front of the E train, watching the tunnel ahead, imagining what Anthem would look like on stage.

Most of Ayn Rand's major characters are already formed at the start of the stories.

I always thought the story [Anthem] would work in three dimensions - and studying that cut material was very useful.

In the original novel [ Anthem], the story unfolds in the mind of a single character. Maybe that's why Ayn Rand called the work a poem.

I think a successful adaptation rises or falls on the work presented. If people need to read the book to understand the play, I didn't complete the job.

I certainly did my best to bring the story [Anthem] to life in another medium.

Each day, I read the New York Times before leaving for the theater. And I have this standing assignment: connect the world of Anthem to the late breaking events of the day.

If Anthem finds an audience in New York City, my hope would be to see the play transferred to a commercial theatre for an open-ended run.