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I have heard so many stories of contractors, and I've met some, too, who worked for Donald Trump, produced the goods and services and never got paid for what they were owed.
In my life, the stories I have heard from my family, my friends, my community, and from willing strangers all over the world have been the true source of my education.
I’ve often taken important classical, biblical or literary stories and interrogated them. I have tried to reinvigorate Lot by interpreting it differently.
What I usually do is tell funny stories from the road, many of which are, of course, unprintable. But I don't actually have a joke. I don't tell jokes much. I tell little stories.
You had bands like D.O.A., or Black Flag, and a whole network opened up to trailblazer a counter culture movement. I'm more interested in the less sensational type of stories.
When people ask, "Is there any advice you'd give a young writer?," I say write short stories. They afford lots of failure. Pastiche is a great way to start.
I have one guy that I really have to talk to once a day, and if I don't talk to him once a day, I really feel like something is not completed. This is, like, an attraction story.
Big media are all about the angle, the spin. Look to the overarching theme that runs through each and every news story. Be hip to the meta-narrative peddled.
Oh, you ask me, what is the greatest torture of a person who does portraits for a living? I could fill several volumes with nice nasty stories. I don't know.
Some people connect with a story and may find between the lines something that might be useful to him or her, but that's not the intention of the author, I think. At least not mine.
When you tell a story in the kitchen to a friend, it's full of mistakes and repetitions. It's good to avoid that in literature, but still, a story should feel like a conversation. It's not a lecture.