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We cannot choose where to start and stop. Our stories are the tellers of us.
When I write my novels I don't really have a huge plan beforehand; I don't have the whole plot and architecture, so the story is sort of discovered as I write it.
The first paragraph. The last paragraph. That's where the story is going and how it's going to end. Or else you'll go off in a hundred different directions.
The illusion is an agreement between the reader and writer that this [story] will be like life. The emotional temperature drops when you have footnotes.
The moment you start dictating content/themes/story vs. allowing the player to be a participant in the story and carve their own path, you're doing the player a disservice.
I'm someone who has a singular goal in making films; I want to tell a story. There are certain stories that I want to tell. Hollywood's never really been the ultimate goal for me.
I've always chosen the roles that aren't the direct lead because I like being a very poignant character in the story, rather than being seen in every single seen.
The story of Hosea and Gomer is the second most powerful picture of God's love in the Bible. Other than Christ's death, there is no greater picture of love.
Toy Story we found, sorta by accident, because we didnt know what we were doing, the idea of being replaced by somebody. Everybody has that fear, or encounters this jealousy at some point.
If you try to make a silent movie with a normal script and you just pull out the dialogue, you will have big problems with the actors because you will ask them to tell a story that you don't know.
If the history of medicine is told through the stories of doctors, it is because their contributions stand in place of the more substantive heroism of their patients.
I went to Paris in 1989 when the Americans didn't quite know what to do with me at first. Now, all those years later, it's kind of the same story. Not the same scenario, but kind of the same story.
I like to do movies, because I love becoming different characters, and telling different stories through different eyes, and affecting someone's life in one way or another.
The whole story of human and personal progress is an unmitigated tale of denials today-denials of rest, denials or repose and comfort and ease and pleasure-that tomorrow may be richer.
You always want to make the best film you can. If anything I feel more relaxed after the Oscar. I feel like I have a chance to just tell the stories I want to tell and it's actually been really nice.