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We've seen how grassroots journalism by blogs has had an impact at various points politically, as ordinary people have amplified stories that were being ignored by the traditional press.
I would recommend the short story form, which is a lot harder to write since you have to be so careful with words, until there is plenty of time to doodle through a novel
I just want to be told a story, and I want to believe I'm living that story, and I don't give a thought to influences or method or any other writerly concerns
Solid information is necessary, but insufficient. We also need to present that information in ways that are inspiring and accessible. That's where stories come in.
More people telling stories leads to more interesting perspectives in this world. I often think we wouldn't get to these political impasses if we had balance in storytelling.
Between the wolf in the tall grass and the wolf in the tall story there is a shimmering go-between. That go-between, that prism, is the art of literature.
Toy Story 3 is so besotted with brand names and product-placement that it stops being about the innocent pleasures of imagination -- the usefulness of toys -- and strictly celebrates consumerism.
A place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there.
Dogmatic theological statements are neither logical propositions nor poetic utterances. They are ''shaggy dog'' stories; they have a point, but he who tries too hard to get it will miss it.
Hemingway is terribly limited. His technique is good for short stories, for people who meet once in a bar very late at night, but do not enter into relations. But not for the novel.
One likes to think one grows as a writer as one ages, else all you get is an old young writer. Beyond that is the changing landscape of the universe and the stories I choose to tell.
I've just finished my next collection, Possible Side Effects, and I'm now working on a collection of holiday stories as well as a memoir about my relationship with my father.
I'm proud of the way I rearrange and put things together, like a chef who makes a great meal, or a filmmaker who puts together a story - it's casting, editing, cinematography.
Though The Kite Runner was my first completed novel, I had been writing on and off for most of my life, primarily short stories, and primarily for myself.
To me, the difference between mythology and real history is that the real history has to tell a kind of believable story of how things happened. The physics has to work.
The logical man must either deny all miracles or none, and our American Indian myths and hero stories are perhaps, in themselves, quite as credible as those of the Hebrews of old.
The stories we tell ourselves about ourselves determine the quality of the selves we imagine we are. The stories we tell about others determine the quality of our relationships with them.