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Lord of the Rings is a good thing for us because it opened the door for the genre in general. Ursula Le Guin's stories are very different from Lord of the Rings.
Well, I had nightmares when I was doing the Klan story all the time. I had a recurring nightmare of basically being exposed as a Jew inside the Klan compound.
The trend today is vampires, zombies, angels, all the stuff that puts me right to sleep. It's too bad because it's so much less interesting than the diversity of stories you can tell with science.
I don't think I can tell any stories about how I lived in a van in Alaska. I grew up in the suburbs, I even had my own room. We weren't poor. Everything was very normal.
I never set out to make any statements about a specific character, I just set out to tell what feels like is a truthful story, a person that you and I might truly encounter.
Some of those stories in local newspapers are just as dull and boring as the stories that I get from on-line services, which are basically sort of straight news.
I'm receiving 300 to 500 letters every week from people telling me that God used my stories to save their marriage or to introduce them to Christ or to heal a relationship that had been broken.
There are lots of stories in the Bible, but all the stories are telling one Big Story. The Story of how God loves his children and comes to rescue them.
Health care is at the beginning of a dialogue with the world... as health care providers, we have to ask ourselves this question: What stories are we not hearing?
The importance and influence of books on me has been cumulative: the result of hearing and reading lots of stories about interesting people and places.
They suggested I should introduce an element of reincarnation in the story. At first, I thought that was silly. But then, this whole time dimension began to fascinate me.
It's probably why I'm a short story writer. I tend to remember things in the past in narrative form, in story form, and I grew up around people who told stories all the time.
Within a scantily plotted, novella-style narrative (the movie is an adaptation of a short story by Tom Bissell), single shots become story events that mere mention would spoil.
I deliberately, in a way, went for something that was a huge challenge and was a big period film. I was excited about the canvas on which I could tell the story as much as the story itself.