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I don't write police stories, per se, but I usually write about areas that are very panoramic, like Harlem, or the Lower East Side, or a small urban city like Jersey City.
Stories worked much the same way . . . A false note at the beginning was much more costly than one nearer the end because early errors were part of the foundation.
The mind needs stories as much as the body needs food. There are junk stories and more nourishing ones. The food we eat becomes our bodies, assimilated stories form our identities
To me, a story can be both concrete and abstract, or a concrete story can hold abstractions. And abstractions are things that really can't be said so well with words.
Short stories consume you faster. They're connected to brevity. With the short story, you are up against mortality. I know how tough they are as a form, but they're also a total joy.
Here's the problem: the description of the world is always reduced to yes or no, black or white. Superficial stories. Superhero stories. One side is the good one. The other one is evil.
I'm an actor because I love movies, and always have loved movies. I'm a film buff. So, getting to work with those kinds of directors and getting to tell those stories is what I want to do.
To make movies you just have to want it enough. You have to have the passion for telling stories. You have to get by the love-of-movies aspect. You can't just be a movie fan.
People’s stories are the most personal thing they have, and paying attention to those stories is just about the most important thing you can do for them.
Directing is one of my favourite things to do because I love telling stories and I love working with the individual artists and it's something that I really missed.
The history of struggle is rich with stories of heroes and heroines - some of them leaders, some of them followers, all of them deserve to be remembered.
Writing detective stories is about writing light literature, for entertainment. It isn't primarily a question of writing propaganda or classical literature.