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People become the stories they hear and the stories they tell.
I enjoyed showing a bit more leg in the last few stories. It was good fun, but it can be quite sexist. But it doesnt worry me personally all that much.
I've heard a lot of crack stories. I heard a RZA crack story, up close and personal, over a platter of 100 chicken wings that only him and his friend ate. It was a good day.
I find it very hard to sit down and create an idea or especially a new character on command. Usually my characters evolve by accident out of some story context.
We like to have a point of view in our stories, not an obvious moral, but a worthwhile theme. ... All we are trying to do is give the public good entertainment. That is all they want.
I think I was brought up with games and I don't think that they're just Pac-Man or Space Invaders. I think we've moved on, I think that there are stories being told and worlds being explored.
I need to tell a story. It's an obsession. Each story is a seed inside of me that starts to grow and grow, like a tumor, and I have to deal with it sooner or later.
I used to do poetry and write stories and stuff - I never really had anybody standing over my shoulder, like, "What did you write? Let me hear it." I hate that type of stuff.
The mind needs stories as much as the body needs food. There are junk stories and more nourishing ones. The food we eat becomes our bodies, assimilated stories form our identities
To me, a story can be both concrete and abstract, or a concrete story can hold abstractions. And abstractions are things that really can't be said so well with words.
Short stories consume you faster. They're connected to brevity. With the short story, you are up against mortality. I know how tough they are as a form, but they're also a total joy.
Here's the problem: the description of the world is always reduced to yes or no, black or white. Superficial stories. Superhero stories. One side is the good one. The other one is evil.
Directing is one of my favourite things to do because I love telling stories and I love working with the individual artists and it's something that I really missed.
People’s stories are the most personal thing they have, and paying attention to those stories is just about the most important thing you can do for them.
To make movies you just have to want it enough. You have to have the passion for telling stories. You have to get by the love-of-movies aspect. You can't just be a movie fan.