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But that is another story and shall be told another time.
The guys on the ground are the guys I care about. I've had the most satisfaction telling their stories. But when you're in combat with somebody, yes, a bond does grow.
A sane person would think that Wal-Mart would never carry 'Capitalism: A Love Story' because it's simply not in their best interests to inform their customers of their shady past.
Wherever my story takes me, however dark and difficult the theme, there is always some hope and redemption, not because readers like happy endings, but because I am an optimist at heart.
Research is always the best part. As we dug deeper into the history and mythology behind each of the hallows, we discovered more and more stories - some of them deserving of novels in themselves.
I am thrilled when I read about fans using my stories as springboards to read about either the historical characters or the myths and legends in the books.
When you do not have the dialogue to explain things, you will use everything to show and to tell the story. I think that this is what makes you believe that it is impeccable
I think once everything is in place, once you've kind of wrapped your head around the story and the character, it's very liberating and you can start doing things like you would do.
Fleetwood Mac has been pretty truthful. Open about what we do. We've always done it from the inside out. Versus being pressured from the outside and changing the inside. And that's our story.
I'm a country boy. I hate New York. But that's where things happen, so I use it as a base for stories, I know enough about it. But I have to keep going back there.
An arresting testimony to the haunting power of friendships, THE AFTER GIRLS is a story that understands what it is to be passionate, confused, and on the brink. I loved every resonant word.
I would not like to have a homogeneous type of film. I wanted to go to many different kinds of ways of making cinema and telling stories and watching the country.
When a book is read an irrevocable thing happens — a murder, followed by an imposture. The story in the mind murders the story on the page, and takes its place.
I was always directing; even back when I started on stage. I was always throwing out ideas. I just love creating stories and for some reason people would listen.
Once in 1919, when I was traveling at night by train, I wrote a short story. In the town where the train stopped, I took the story to the publisher of the newspaper who published the story.
I am a zombie fan, but all of the zombie stories Ive enjoyed started when the dead rose and ended three days later with everybody looking exhausted. I was thinking, What happens in 20 years?
It's kind of part of human nature to want to know the truth or want to be in on the secret. For stories that focus in on that - like whodunits - it's easy to get drawn into.