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I simply want to tell the story of my experiments with truth...as my life consists of nothing but those experiments.
Stick a shovel into the ground almost anywhere and some horrible thing or other will come to light. Good for trade, we thrive on bones; without them there'd be no stories.
Kafka thought his stories were hilarious. We don't necessarily have that reaction to them, but he certainly laughed his head off every time he read them out loud.
Some of what we read in classical literature is not relative to our condition, but then many women novelists and poets have turned it upside down and told the stories from the other point of view.
If there is anything interesting about my story it's the fact that it's not unique at all. I feel that I have been through what almost everyone I know has - a slow and gradual maturation process.
I find it easier to play someone who is so far from me because you create someone - you build this person based on the story and the script, with the director.
I guess I'm drawn to stories of people whose physicality puts them on the outside of things in order to explore the ways in which an identity is formed around these prevailing attitudes.
I can't tell stories to save my life. I like to have fun, and I go out and have a lot of fun. But I'm not really an entertainer that way. I'm much more shy.
I think that all stories - if you make movies about zombies and aliens - it has always to do with your personal story. If not directly, it is about your fears, your obsessions, things like that.
Hypertext is an idea. The Internet is a medium. They grow up beside each other, they influence each other, and their evolving relationship will probably provide a great story for future biographers.
I've done a lot of tough stories over the years. I've done a lot of profiles over the years that have not always been, shall we say, helpful for the person who is being written about.
When I was a kid, the book that I liked the most was 'Aesop's Fables.' There was a version of it that my father read stories to us kids out of. I liked the idea of the short story format.
Some of my favorite scenes aren't in the movie. Because you, at some point, realize that your responsibility as director is purely to the story. It's not to your pleasure.
Trying to find the story within the story was hard. Filmmaking is such a reductive process in a strange way and you keep whittling away to what is essential.
There are people who know Hillary Clinton who tell wonderful stories about her, how likable she is, how funny she is; 99 percent of American people don't - have never seen that side of her.