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All my songs come from me because I only seem able to write about myself and my experiences.
Do you know what my father used to say?" I ask her. "He used to say that songs had a heart. A crescendo that can make all your blood rush from your head to your toes.
Song: Heloise and Abelard by Elizabeth Devlin. Beyond the a propros subject matter, this lady can really play the Autoharp. This song sounds like something you'd find on a gramophone record.
The best songs that I write usually come in, like, two minutes, and I think a lot of songwriters would probably say those kind of songs that come just like that are the good ones.
Janis Joplin is definitely one of my biggest influences. She taught me how to feel music, and I don't think there's anyone like her that could bring such pain and emotion to a song.
I'll get into conversations with other people, and all of a sudden they will say something that sparks that... either the titles to me, or just the conversation itself will spark an idea for a song.
I'm not afraid to go out on a limb, style-wise or with lyrics. I don't ever want to be afraid to cut those types of songs because radio might not play it.
When I stopped trying to write songs, that's when I'm able to begin writing songs. You have to just use your life, and the things around you for your inspiration.
Sometimes I start with lyrics - rarely - but sometimes I might have an idea for some lyrics that I wanna say. I write them down and figure out how to use that in a melody to write a song.
Other people singing my songs is something that I've never been casual about. I've always been very touched by it and I always go into immediate critical suspension.
You can either make it come around or you can't. By the time we would be ready to record a song, we would know for sure that it was the best way we could do it.
When I write songs I think about how it makes people feel, and I hope that when it goes into your ears you feel happy too. Not sexy happy but apple pie happy.
Nobody says anything real today. Most of those girls have their songs written by other people. It annoys me, because 'eh oh eh oh ahh' is not a chorus...
I don't really see how any song can not feel contrived if it isn't honest, and how could I write honest songs if I don't write about stuff going on in my life and how I'm feeling?
When you sing the same song over and over and over again, it stops meaning what it originally meant to you. It starts sounding like white noise, or my washing machine.
the relentless touring and endless repetition of the same songs over and over again promoted a creeping awareness that my music had begun to sound like my washing machine.
Certain social situations make me feel like a square peg in a round hole. Realising you can connect to the human race through song makes me feel less alien.
I began writing The Cold Song in the months following my fathers death, when I felt this sense of loss, disappearance, of being right in the middle of life and wondering: What now? How to proceed?