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I love rapping. I do. My styling's similar to Missy Elliott - I think she's so dope. In a weird way, that's how I first learned the American accent: doing American rap songs.
I think in the same way you find a song that you feel represents the way you feel on the inside, that's for me what fashion is all about. It's sort of an external expression of an internal feeling.
I started to write before I went to SUNY Purchase music conservatory. As an audition I submitted what I now think are really awful songs, but I guess they saw something in them.
I don't think about, "How does this song that has more of an electronic mix prefix to a song that has a full orchestra next to a song that has other things?" I just work on it as-needed.
I have my own tastes and I have my my own... like, I dunno. I think it's really subjective; something that I think is a great song, is unlistenable to somebody else, which I've come to realise.
I hate picking favourite books. I usually tend to stay away from all the 'top record' and 'favourite song' and 'favourite book', and I just think it doesn't do any good for anybody.
If somebody wanted to go and find songs of mine to fill an iPod, that aren't on any records. They could probably find dozens of songs besides the ones that are on records.
I also don't like to make really big records, because I feel then that the songs don't get enough space to be themselves, so I would never want to make a record that's like seventeen songs.
Blues songs, like folk songs, are a continuous stream, and catching the continuities and thefts is part of what puts meaning and complexity into it - also part of the fun of it all.
Jesus this song you wrote The words are sticking in my throat Peace on Earth Hear it every Christmas time But hope and history won't rhyme So what's it worth? This peace on Earth
Depending on the story, I don't feel that the music is disappearing. I feel if the story demands songs, they'll have songs. If it doesn't demand songs, you'll have underscore.
I want people to come to my music without prejudice. I want them to get the music first. And who I am isn't that important. If they like the songs to me that's a good thing.
You can't outdo 'Street Songs' and I didn’t even try. [It] had that special magic that comes with timing and good vibrations and you can't even try to capture that exactly again.
I always had a standard of, back when I was doing the country music I always told people I would never record a song that I wouldn't sit down and sing in front of my mom and dad.
Most of the songs I write just very directly from my life. I don't have a big imagination. Whenever I tried to write from fantasy, it comes out sounding really fake.
They're selling razor blades and mirrors in the street Pray that when I'm coming down you'll be alseep If I ever hurt you your revenge will be so sweet Because I'm scum And I'm your son I come undone