Scene Quotes

When you're casting, you get a page or two - just enough to do the scene. Now that you're in the world, you get the whole script.

I'm always excited to do the fight scenes.

Every frame and every scene has to have an intention.

There are some things I like about L.A. You can have a really healthy lifestyle, and I love running with the dogs on the beach. It's just the social scene is horrific!

I hope to take advantage of the Netflix organism and see if there are ways to get in new material and see if there are ways to do deleted scenes.

Acting makes me feel vulnerable. Especially depending on the type of emotion I'm portraying in a scene.

In terms of 'Solaris,' I didn't really think about the religious aspect an awful lot. There's one scene at a dinner party, and it's discussed, but it wasn't an overwhelming theme for me.

The music technology scene is changing so fast its hard to keep up.

A lot of times when I'm writing lyrics, I just think about insecurities that I might have and turn them into a scene. Some things may be true, and some things may not.

When people embrace character, it informs their living, breathing moments in a scene so well.

I sometimes fancy," said Hilda, on whose susceptibility the scene always made a strong impression, "that Rome--mere Rome--will crowd everything else out of my heart.

I grew up being educated by Sesame Street and gained a sense of humor from The Muppet Show. I'd give my right foot to be able to do a scene or two with the Muppets.

Deleted scenes are like in a middle gray zone. It's like, well, they're deleted because they're not good or you lost the battle and you couldn't put them in the movie.

I love working with Alexander Skarsgard. He brings such gravity to a scene.

The first time I ever screamed at someone was in a scene, and I'd never screamed at someone in my life.

I still feel very much an imposter in the whole music scene, which I'm quite happy about to be honest.

Robert Altman made that movie Kansas City about the jazz scene in the city, and we saw that band all together, and that was an amazing show. That's what I got into. I like jazz.

I worked a lot in Chicago's theater scene as a fight choreographer. And so I do have a lot of experience in stage combat and also in Kabuki dance and Kabuki theater.

Guy Pearce is very precise and clear about understanding the rhythm and the music of a scene.

I just wrapped 'Eclipse' yesterday and the last scene we shot is probably my favorite thus far. I finally got to tell my story, in a very gentle yet elaborate way.

Michael Pitt is amazing. His physical comedy is extraordinary; he's so committed and so willing to play within the scenes. It makes you feel very free to also explore.

You're not doing the scene exactly the way it is in the book [The Hunger Games], but the intention of the scene is there.

I try to write 'and it's all very funny' after each scene description so that the reader can imagine the movie in their head.

I hate when you see a film and after one scene you know what's going to happen and you can predict the whole story.

John Cusack is a dream. I did one one-on-one scene with him and we got to shoot it so many times, and he did it different every time.

The day was warm and clear. Kids were playing soccer in the parking lots and women were sunning their babies and having their tea all over the lawns. The scene was entirely too cheery for journalism.

When you're on an ensemble show and you're messing around with everybody every day and you're not in every scene, and then all of a sudden you're in every scene, it's rough.

The scene was set. All that was required was an action, a cold start, instant and brutal as beginnings always are.

What I hear all the time is to stop and listen. When you do a scene 30 times, and know the lines, you stop listening. The point is to listen, that's the only thing that can make it real.

If you watch a movie, it never happens that you see a character that is in every single scene.

When I look at a character, whether he's good or bad, one scene or 10 scenes, I just have to find my way in.

I love the beginning of Magnolia, the thing about the dealer. That scene is genius. Brilliantly acted.

We dominate the scene and we will continue to impose our will on this country.

Every musical scene has a cycle.

The studio scene in California is sort of ridiculous anyway.

As a comedian, I'm like one of those on-the-scene reporters. I will actually go and try to find disasters so I can write jokes as the disasters unfold.

I have a painter's memory. I can remember things from my childhood which were so powerfully imprinted on me, the whole scene comes back.

The great thing about the electronic music scene is that everybody can be part of it either by dancing, DJing, or organizing a party.

Whence are we, and why are we? Of what scene The actors or spectators?

I see how people boss other actors around to try to get a scene favorable to them. I absolutely just never engage in doing that. If someone's going to do it to me, I just let them have it.

The rehearsal period is so far away from the time when the scene will actually be shot that very little is remembered.

I never think of poetry or the poetry scene, only separate poems written by individuals.

Well, I have an idea, usually a visual image of some sort. A setting. A particular, I don't know, urban scene, a particular time of day. Something that grips my imagination for some reason.

With songs I almost see the images, see the action, and then all I have to do is describe it. It's almost like watching a scene from a film, and that's what I go about trying to catch in a song.

I have never been part of a scene. I've always been a bit of an island really, but I am fine with that.

I want to see more women behind the scenes.

It's very tricky to know when to stop. I think there are definitely moments where you feel that is the heart of a scene. When you're working on the script, you're looking for a handle on it.

I played a scene at the end of my first year, and that's how I was discovered.

I think the most emotional part in making the movie and discovering the movie - because it was a process of discovering - is all the scenes with the family.

Excuses are used to justify leaving the scene of truth without changing.