Scene Quotes
My worrying, for instance, was a scene in which I looked at myself while I had the sensation of being boxed in. I call that worrying, It has happened to me a number of times after that first time.
It didn't matter as much because I'm a singer, not an actress, but my face is more acceptable in a way now than when I first came on the scene, because I'm part black.
If a scene doesn't work on three levels - it's not advancing the story, the characters, and telling me something new - then put it in the trash.
Adam Ezra writes with the heart of a troubadour and sings like a rock star. He is truely a fresh voice in singer/songwriter scene.
I always feel the most validated and confident being around people that I find funny - having Fred Armisen laugh at a scene or Bill Hader or Seth Meyers give me a compliment.
There are some people who love being a something, but I also got the gist in the 60's when I grew up that you could be, in the art scene, very diverse.
The family is the scene of the most intimate and powerful of human experiences. Family situations are bloodier and more passionate than any others, and the costs are greater.
It is vain to speak of approaching judgment when finding our place, our portion, and our enjoyment in the very scene which is to be judged.
I indeed had only one scene, one speech, one little speech, but it was with Robin Williams.
A lot of young actors will do a scene and then run off and look at themselves. I don't believe in that at all
Doing a scene truthfully is very similar to doing a song truthfully. They're really parallel.
The thing about film is it is a very precise form. You know if you have it and you know if you don't have it. There's not really a middle bit where you're like, "I think we kind of have that scene."
I was more feminine. I was a girly-girl until I moved to New York. Then I got really into the androgynous look of the early-'90s club scene.
You shouldn't need 60 full minutes to create a portrait that an audience doesn't forget. You should be able to make an impression that's lasting and resonant with one scene.
I quite like it when you're working with people and you only get to know them through the scenes that you're doing together.
Don't rush or force the ending. All you have to know is the next scene, or the next few scenes.
When you work with Sir Anthony there are days when he will do a lot of takes if he's really enjoying a scene.
Some film actors want to sit back and look at every scene and all that crap. No, you're an actor - tell the story, and when it's told, there's another one to tell.
Of course, when I started my career, like anyone else who was 16 at the time, we were besotted by the rock-n-roll scene from America, and all I was interested in was having a career of my own.
I treat any scene the same - dialogue, action - you're still creating something in character. It's all acting, fighting.
If you explode onto the scene at a very young age, there are so many people pulling you in different directions. It takes time to recalibrate and see what's important.
My focus is on the rhythmic relationship between body and ground and the visual relationships among the elements of the always-changing scene.
The literary scene is filled with young people now, which is a great joy. They seem fully capable of saving the world, as we failed to do when young, though heaven knows we tried.
Athens, much like Austin, is a difficult music scene. There are so many musicians there that it is hard to get gigs and hard for people to take you seriously.
Plot and scene are still the hardest things for me, though I think they're the building blocks of what makes a story work.
We need more bodies, 'cause it's not looking enough like the last scene in Hamlet already. --Chopper Jim Chopin
When I first hit the scene, it was just a lot of go, go, go, go, go. I have a lot of natural energy anyway, but it was over the top.
The institutional scene in which American man has developed has lacked that accumulation from intervening stages which has been so dominant a feature of the European landscape.
I'd rather lose the small part of the audience that is going to be insulted because a documentary shouldn't have music than the big part of the audience that kind of gives itself over to the scene.
Usually if a scene's really hard to write, I just don't write it. Nothing's coming to mind.
As a director, I like trying to unlock the subtext of the scene and try to put the camera in a place that helps that.
Those cultural wars, Sexual Revolution issues are fading from the scene, and the coming generation has basically settled them.
As a model you have to convey something with one look - and actors will have a scene and they can sort of do it, but models have to convey what photographers want. It's a bit of an art.
Obviously record companies tend to be following what the scene is rather than making the scene.
I've never wanted to be part of an inner circle of any scene. I've always been an outsider looking to question and subvert.
next to it was a dvd called 'as i get laid dying,' which had a hospital scene on the front. it was like grey's anatomy, only with less grey and more anatomy.
I let the actors work out their ideas before shooting, then tell them what attitudes I want. If a scene isn't honest, it stands out like a sore thumb.
I think that's my approach: If it feels right for a scene to be whole, to hold on without cutting for a long time, then that's great. But other scenes, they don't want it.