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I always give one actor an emotion to make it very easy so he or she can root to it.
Chicago is seriously my favorite city in the country. People have roots here, which is nice. When you go to Los Angeles, no one is actually from Los Angeles.
There are still personalities that you bond with or a fighting spirit that you connect with, but as a host you have to stay impartial and root for all of them.
One of the things that really intrigued us the most about the whole Wonder Woman mythology is the actual mythology of it. Her character has distinct roots in classic Greek mythology.
I never think there's any competition between films. I root for everybody's films. I especially have a fond place in my heart for graphic novels and comics.
The theme is the theme of humiliation, which is the square root of sin, as opposed to the freedom from humiliation, and love, which is the square root of wonderful.
I'll be a Quebecker-Canadian. I'm from Quebec, and every time I go to a country, I say that. It's my roots, my origins, and it's the most important thing to me.
If we can combine our knowledge of science with the wisdom of wildness, if we can nurture civilization through roots in the primitive, man's potentialities appear to be unbounded.
There is a barbarism in the American soul, and we must protect some of it by law. To root it out is to endanger our lives on the one hand, and our liberty on the other.
I grew up watching classic animation, and I have always felt that the roots of animation is in fantasy and taking it in places that you can't go, any other way.
I think Catholicism took root very quickly in Ireland because it's a very superstitious religion, the holy ghost, the holy spirit, it has a goddess, very visual, the music.
We were all born of flesh, in a flare of pain. We do not remember the red roots whence we rose, but we know that we rose and walked, that after a while we shall lie down again.
At this point, I feel like I have roots in a lot of places. I have friends who have put down roots, in Seattle and San Francisco and Portland, and I feel very close to them.
The outlaw is the radical, the one close to the roots of existence. The one who refuses to forget their humanity and, in remembering, helps everyone else remember, too.
Art cannot be looked at as an elite, sacred event anymore. It has to be embraced as an accessible, popular form, which is what I believe theater is at its roots.