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My philosophy: find what it is you want to say, walk in the room, say it, and get the hell out.
I like everything in my room has to be in order. If there's a wrinkle in the comforter, I'm stretching it out. But this is only when it comes to my room. Outside of there, I'm not as intense.
A poem with grandly conceived and executed stanzas, such as one of Keats's odes, should be like an enfilade of rooms in a palace: one proceeds, with eager anticipation, from room to room.
I go to my Room and I drink and I smoke some cigarettes and I think about her. I drink and I smoke and I think about her and at a certain point blackness comes and my memory fails me.
They say productivity is the key to confidence, and confidence ... to productivity. And they're happy walking back and forth between these two rooms, each the excuse for the other.
The most important thing is that you're comfortable with who you're working with as a person. Forget the music, if you can sit in a room with someone and you don't have awkwardness.
The allure becomes, "Can I make these rooms bigger?" Can I fill these 1,500-seat rooms? Then the allure is, how much, if we're being honest, how much can I squeeze out of it financially?
I have not looked at a newspaper in twenty years; if one is brought into the room, I flee. This is not because I am indifferent but because one cannot follow every road.
Without opium, plans, marriages and journeys appear to me just as foolish as if someone falling out of a window were to hope to make friends with the occupants of the room before which he passes.
Brave words in a room full of pulseless creatures. Spade gave Don a disgusted glance while Rodney just licked his lips. No doubt he was mentally salting and peppering Don.
Sneaky, manipulating, merciless bloodsucker . . ." A chuckle drifted up to me. "Pillow talk already? You'll have me hard before we're even back in our room.
A lot of people don't really understand what rehearsal's about. People are afraid they're gonna leave it in the dressing room, or you're gonna shoot your wad in rehearsal.
I know I'm famous and irresitible - a combination whose properties closely resemble radioactivity - and I know that you in this room are helpless against me.
I have to tell you, I'm not like Demi Moore, where the tears trickle prettily down my cheeks. My whole face screws up and it's like, Oh please, get a room.
Editing was hard for me. It was hard to be in a room by yourself and not have that collaborative spirit. Comedies are really tight and timing is everything.
[Nabokov's] language is made visible . . . like a veil or transparent curtain. You cannot help seeing the curtain as you peek into the intimate rooms behind.