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As actors you're always going to take certain roles that are in your comfort zone and take ones that aren't.
I just happen to like the work. I like preparing for a role. I like reading. I like analyzing. I like literature. I like emotions. I like working with other actors.
I wanted to do an acting role in a movie that had nothing to do with the music business or in which I would play a singer or a songwriter. When I act, I don't even want to be thought of as Ne-Yo.
Actually the years when I was playing totally un - well, they were just roles that just went by the board, you wouldn't want to know. But anyway, I'm glad I had that chance to build my craft.
The question is always 'What is the role of a labor movement?' How much is about collective bargaining, how much is about social change for all workers?
Storytelling is an ancient and honorable act. An essential role to play in the community or tribe. It's one that I embrace wholeheartedly and have been fortunate enough to be rewarded for.
It's hard to find black roles that are just whimsical and fun and colorful. And I think, in many ways, that can be just as powerful in making commentary about race through movies.
I'm lucky enough to get really interesting and diverse roles offered to me, and I just hope that that continues. I just want to keep expanding as an artist and really try new things.
The one thing I would never wish it to be thought is that you play serious roles in order to achieve some sort of respectability which you can't if you're playing comedic roles.
I want to take roles that challenge me and I want to like the script and obviously feel connected with the director because the director to me is so important.
I hate to admit it, but you can't do a role unless it's somewhere in your psyche. People don't realize how vast the subconscious is. It's like infinity.
I think male roles are generally much better written. So for actresses, we're always dealing with trying to inject a role with more truth than the writer possibly had in mind.