Records Quotes
If you heard my records and no one told you, I don't think you'd know whether it's a band or one guy.
I think the record industry, by and large what's left of it, is still totally homophobic. I think it's much less so in the film industry now, but the record industry, it's always been a man's world.
These record companies are going to be going out of business pretty soon, because people are just going to be downloading what they want to hear.
You can either make it come around or you can't. By the time we would be ready to record a song, we would know for sure that it was the best way we could do it.
Obviously, I want to sell records, but I do it because I find it therapeutic. In music I can be myself.
I'm competitive, so I don't like to feel marginalized by the people who sell a lot of records.
After my first record came out, I read everything. I was so amazed that I was in the press.
I have no desire at all to become the winningest coach at Notre Dame. The record belongs to Knute Rockne or some other coach in the future.
When you make a record, you listen to it literally hundreds of times. When it's done and you can't do anything else, I never listen to my records.
I don't think of myself as a folk singer per se, but I really like blues and string-band music. When I started listening to records when I was a teenager, the folk boom was going on.
I knew each person's delusion, the places their records had scratched, where the sounds repeated.
We will all be better citizens when voting records of our Congressmen are followed as carefully as scores of pro-football games.
I've been lucky to be able to make the records I've wanted to make. The record company has never pressured me to cut certain songs.
History may well record that we served liberty and saved freedom when we undertook a crash program in the field of education . . .. I hope this bill is only the forerunner of better things to come.
I get most of my inspiration from older records and older production styles, and that ends up rearing its head in the records that I make.
I always prefer other people's interpretations over my own, so I'm not very quick to make explicit what exactly a song or record is about.
I get annoyed with movies or books, songs or records that deliberately try to make you feel a certain way.
Second records aren't usually very good. Even Bob Dylan's was a bit disappointing.
I've got so much I want to do, and not a lot of time to do it in. People say to me, "You really shouldn't do so many records", because it actually harms your career.
I have no problem going on record with this and probably have gone on record with this before, there aren't that many people who I respect. There just aren't.
When I was a bit older I had all of the George Carlin records, all of the Steve Martin records, all of the Cheech and Chong records and all of the Richard Pryor records.
I started to play Jazz music in my early teens. A boyfriend brought records over, so I listened to everything
Well it's because the record companies are pumping away with their commercial stuff. I think it's a shame.
Boy, I'm just quietly doing my thing, and I hope they'll look around and get my record out.
The record is about seeing death and growing from it, and in the end, being strong and being alive.
I definitely see myself making classic R&B records with somewhat of a trendy vibe to it. I definitely wouldn't say trap.
You see him coming in with an 0-2 record and a 5 ERA and you wonder, 'How? How's that possible?
I miss the experience of walking into a record store and find old stuff without expecting to.
Demos are something you do in the early stages of your career, but when you get going, you just go in and record the song.
I'm 45 and I don't have time to spend two years of my life bringing in producers and dragging the record around the planet.
If you get rid of a lot of the poseurs by destroying record companies, maybe it's a good trade-off.
Stevie Wonder doing 'We Can Work It Out' by the Beatles is one of my favorite records of all time.
