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My writing is sort of Sidney Sheldon meets Anne Tyler.
The biblical texts that we Christians have used for centuries to justify our hostility toward the Jews need to be banished forever from the sacred writings of the Christian church.
I'm not writing for fundamentalists. I'm writing for the people who have been repelled by that kind of thinking and yet who think there might be something they haven't yet discovered.
If you want to be a Roman Catholic scholar and write, you've got to write in such a way that nobody understands what you're saying, and then you're thought to be profound.
I am writing this from what we Americans call Yurrp. In Yurrp writers are taken as seriously as Lana Turner's legs are in America - a ridiculous situation.
I write because I like to write. I find joy in the texture and tone and rhythm of words. It is a satisfaction like that which follows good and shared love.
I have no interest in the printed word. I would continue to write if there were no writing and no print. I put my words down for a matter of memory. They are more made to be spoken than to be read.
If you want to write the next great novel, but you think, No, this won't work because no one will buy it or it won't be any good, then you talk yourself out of taking a risk.
I have no interest in ever making a movie I didn't write. If they were going to take my house away, then I guess I might have to. But my agent knows not to even bother sending me the scripts.
When I was writing this new bunch of songs, I was singing a lot lower, because they were more intimate in a way. I had to come up with a way to frame the music that was intimate.
That was my challenge as a composer. Like with anything, to keep yourself interested in doing what you do, you set yourself challenges. So I said, Okay, I'll try to write a hundred tunes in a year.
Sam Phillips asked me to go write a love song, or maybe a bitter weeper. So I wrote a song called, "Cry Cry Cry," went back in and recorded that for the other side of the record.
Discover the time of day when you write best, and write then. For me it's about 7 am to noon. For other people it's overnight. Try not to do anything other than write between those times.
If you write songs and if you write music that's very sincere and very honest, it's pop music, but it is pop music with a lot of honesty and a lot of heart.
I'd wanted to be a writer since I was knee-high. Once I knew that books were written by people and didn't just happen, it was obviously that I would write them, too.
You don't control whether your movies get made. You can't. All you can control is whether your draft is great. So, you write your great draft, as best as you can, and then move on to the next thing.
The science fiction I write comes from a pretty deep pool of literature, not just from the reflection of other science fiction films, and I think that gives me somewhat deeper roots.
I was very conscious of race as I was writing. I was lucky to have spent real time in Portuguese Africa, but I am white and my main characters are white, outsiders at sea in the "Dark Continent."
It is simply much easier to infuse life, feeling, and higher truth into a novel than a non-fiction work, to find the license to write truth without being wedded to fact.