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Children can't help but create: they need to put their mind on the page, they want to paint, to sculpt, to write short stories.
The different part of writing and singing worship lies in the identity and truth of God's Word and true intention for us as His followers on this Earth.
As I said, I had no publisher for What a Carve Up! while I was writing it, so all we had to live off was my wife's money and little bits I was picking up for journalism.
When I was younger, the main struggle was to be a 'good writer.' Now I more or less take my writing abilities for granted, although this doesn't mean I always write well.
We continue, however, to write about important people, prize-winning people, blacks of grandeur, women of great fire, fame or wit. We do not write about ordinary people.
Now, I don't expect what I write to change things. I think I write now simply as a witness. This is how it is. This is what we have done. This is what we have permitted.
When I write lyrics, I really do go into an automatic folk appropriation mode... I see the vernacular register of 20th century song as being a bunch of forms to adapt and reconfigure.
I hate libraries for the way they put stickers on things. I don't approve of folding over pages, or of writing in books. God, forget scissors - that's beyond the pale.
You don’t have the slightest idea of what it means to write a scene and a character in the English language, with images and words chock full of received meaning.
What I'm constantly striving for in my prose is clarity. So that, ideally, the writing will become so transparent that the reader will forget that the medium of communication is language.
I don't want to indulge myself in the luxury of writing beautiful paragraphs just for the sake of making beautiful writing. That doesn't interest me. I want everything to be essential.
I listen to music all the time. I write while listening to music. And I tell myself that the music nourishes the art forms that I do master and domesticate, and have authority over.
When I first started writing in my early 20s it was literary criticism for a very eccentric magazine called Books And Bookmen, which allowed me to write, more or less anything.
I found once you start writing about God it's really fun. It's like a rock singer saying "baby." "Baby, baby, baaayy-by." You start saying "God" on the page and you don't want to stop.
Instead of singing in the shower, I would write out the lyrics of my favourite songs, the ink would turn the water blue or red or green, and the music would run down my legs.
My test for writing is always, is this fun or does it feel like a job? Is it moving me? Or am I just fulfilling my own expectations - or even worse, somebody else's?
When I was young, I kept a diary for about 10 years and I had to write in it every day. Even on days when nothing seemed to happen, I made myself think of something to put in it.