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I'm just kind of a hippie. Age is not that relevant to the music.
If you're going to change things, one of the things we had to change is to get away from that traditional model of rock music, and we were a part of that.
I edited Big Funk, some of the footage was shot by Peter Care. We were film buffs as much as music buffs, and so there are film reference as well as sound references.
This was in the sense that if Dada was reacting to the morality and aesthetics of pre-WWI, then we were very much a reaction to the pomposity of rock that existed within music at that time.
I think probably underneath it all, film [Kino] has its own rhythm and its own dynamic, and we were trying to capture the movement of film and cross-reference it with music.
I would never want to discourage anyone from listening to the news, heaven forfend. But I thought, you know, when I'm recommending music to people I like to recommend stuff that I think they'll like.
Jackson Rathbone can really play the guitar. Our taste in music is not exactly the same, but we found common ground with Radiohead's Creep, with which he then serenaded me.
There are so many clichés in the world, especially in music, that it's a never-ending creative font to just bring two of them together and let them interact.
The lesson there is that there's no hiding the sound of a band that is bored with its own music. Whatever it takes to create the sound of excitement, that's what you want to do.
I think the music business is changing. Artists that don't want to tour and just want to collect royalty checks and stay home are not going to be able to do that.
Being a man of taste and sophistication, the 80s were objectively, quantifiably, empirically, diagram-it-on-a-blackboard the worst decade in the history of recorded music.
The songs are always drawn from personal experience; I'm putting myself into my music. I usually am playing myself. It's art, art that represents my life.
It's really important for me to live purposefully, and I feel that way putting music out in the world and having people connect with it. That means everything to me.
I think that a song, when it works, never mind a piece of long form music, even a song is something that speaks to itself but has a language all of its own, ideally.
Hip-hop is a beautiful thing. I think that the music genre itself has created more millionaires than any other music genre before it, especially in our community.
I do write my own music, and I also have been doing a lot of non-Beatle covers, just singing whatever I want to sing, the way I want to sing. But it can be hard to find the time to do that.
I don't think comic timing is the same as music timing, but I definitely find that I've learned from just writing in general that songs can be narrative without having a story.
I'm pretty open to all music. Its pretty funny because I've spent time in Germany and now I'm in Dallas where Country is a big thing. I used to hate it but now I can actually go through a song.
If you can show something as complicated as two people falling in love with just music and camera angles, well, just think about what you can do with football.
One of my problems is I'm not really sure if I slot into rock or not. I've always tried to combine world music, folk, jazz, blues and rock, and have done since Traffic.
In life you can get a feeling which is part of a person, the same as in the songs. Music is almost our representation of our fantasies and so our songs are representations of our fantasies.
I hate to say it, and Apple never likes it, but I love anything that's hacker oriented. I don't like passing it onto others, or getting things for free. I don't like stealing music one bit, at all.
Music saved my life a few times because I could play the stuff rednecks loved. They thought I was great and they wondered why I didn't do that all the time.