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You ask any moviemaker what their favorite movie experience was, and they'll say it was one of the first ones, where everyone had to pitch in and do everything together, and you had to struggle.
No movie becomes a hit without good reviews and word-of-mouth. No agency ever became a great brand by merely saying it was great - in advertising or by any other medium.
I've never found kicks to the groin particularly funny, although recent work in the genre of the buddy movie suggests audience research must prove me wrong.
Valentines Day is being marketed as a Date Movie. I think its more of a First-Date Movie. If your date likes it, do not date that person again. And if you like it, there may not be a second date.
I think every good, entertaining movie should have a message. I really believe that, because if you do it without it, the film feels a little bit soulless.
I was, it was very high. Especially with international (box office), we did something that I didn't think this movie ["2012"] would do. I was very happy.
When I get stuck, I take a long walk outside or go to a movie. I get out of my own way so I can hear the quiet voices that hold all of the answers that connect the dots.
A movie that I'm involved with and have a lot of love for, which is On The Road, does use a lot of handheld. It can be done beautifully. I'm proud of that. It's a very beautiful movie.
I don't want to do a TV series. It's no fun working from dawn to sunset every day. An occasional movie would be fine, and then I'll see what might develop on the political front.
I love watching a movie that is smart, that makes me think, that includes me as an audience member, and I especially love it when I know that the people that I'm working with also do that.
I'm in high heels, I'm wearing a fabulous dress, people want me to just smile and talk about my movie because I only have three minutes, and that's my job.
I want to be the girl in Indiana Jones. I would love to do an adventure movie where I was saving the world. It might be cool if I used a lot of kitchen tools to fight off the enemy.
I want to give the audience what they want, but not at all costs. I want to leave them with something. I try to do that with every single movie I make.
[The Raindance film festival] is literally the first time we've ever screened the movie ["Selling Isobel"] to anyone, and people are a little bit traumatised by it.
You know, in the horror movie you kill the monster, and the hand re-emerges. And if you're not looking, the hand grows back and then the monster's there again. That cannot be allowed to happen.
Well, I wasnt just kind of standing in a queue at McDonalds and someone sat down and said, Youre the director of a $100 million Hollywood movie. Ive been working in commercials for ten years.
I think what we're trying to do as filmmakers is make a big, gritty, raw, epic movie and within that show things graphically in a way that they haven't been seen in that world before.
When I'm not training for a movie, it's more relaxed. I do a lot of running. Usually I'll run four to six miles about three times a week. You try to eat right, but you don't always.